TRAPEZE Starring Burt Lancaster, Tony Curtis & Gina Lollobrigida!

Step right up for the best seat in the house: your favourite armchair in front of your telly. July 30 sees the release on DVD of maybe the most atmospheric circus film ever made.

Directed by Carol Reed in the 1950s, Trapeze stars Tony Curtis as Tino, a young acrobat who travels to Paris to learn how to perform the triple-somersault. The one man who can teach him is Burt Lancaster’s Mike Ribble, a drunk and half-crippled former trapeze star who nearly killed himself performing the same death-defying stunt. Reluctantly, Ribble agrees to train the young flyer and returns to the ring to become his catcher.

But when the ambitious and unscrupulous femme fatale Lola (Gina Lollobrigida) joins their act, relationships in the roof of the Parisian circus building become strained to breaking point.

Lancaster was a real life trapeze flyer before he became an actor, and the vertiginous aerial scenes are thrillingly shot. We really feel the queasy swing of the lofty trapeze bar; the heart-stopping flights through mid-air; the jarring thud of the catches and the stomach-turning plunges into the net.

But perhaps even more compelling than the trapeze scenes are the shots of backstage corridors heaving with ballerinas, harmonica-playing dwarfs, silk-costumed clowns, spotted horses and trumpeting elephants.

Shot in beautiful deep colours, every frame is rich in detail. The backstage menagerie, with its camels, lions and giraffe is so vivid you can almost smell the dung and feel the cobbled floor beneath your feet. Even Carry On film favourite Sid James shows up, trying to sell to anyone who will listen the python he has coiled around his shoulders.

Gina Lollobrigida as circus femme fatale Lola in Trapeze

But how realistic is the portrayal of backstage life in the circus? 

One of the most striking aspects of Trapeze is how closely the Parisian circus building where the film is set resembles Britain’s last purpose-built circus building, the Great Yarmouth Hippodrome. It was in the unchanged, ghost-filled backstage corridors and former stables of the latter that I met South American trapeze troupe the Flying Neves and interviewed them about their gravity-defying lives. And it was in the Hippodrome’s ring, on the 100th anniversary of the building, that aerial silk star Eva Garcia plunged forty feet to her death during a performance just days after she described to me her life of glamour, grit and peril.

"A brilliant account of
a vanishing art form."
- Mail on Sunday

So if the thrills and spills of Trapeze whet your appetite for the big top (and you are hugely recommended to buy it and enjoy it) find out more about life and death in the sawdust circle by reading my book Circus Mania! and marvel at the stranger-than-fiction tales of real life circus stars.

Click here to buy from Amazon.

Read it and wonder at the lives of the circus breed.

The Great Yarmouth Hippodrome
- a circus building like the one in Trapeze.
Circus Mania takes you backstage.

Anti-Circus Campaigners Outbid Zippos Circus For Dancing Dog Act

Animal rights organisation PETA has chosen unusual celebrities for its new anti-circus ad campaign: Britain’s Got Talent winners Ashleigh and Pudsey, who are a teenage girl and her dancing dog.

Unveiling the ad in Westminster, 17-year-old Ashleigh, who appears in the ad as a clown, spoke out against the “beatings” circus animals allegedly endure “for the sake of so-called entertainment.”

Keeping animals in the circus
Zippos ringmaster Norman Barrett MBE
(Photo: Piet-Hein Out, courtesy Zippos)

Pudsey the dog, who is dressed as a lion in the ad, declined to comment on the ad’s slogan: “The Saddest Show On Earth - Get Wild Animals Out Of The Circus.” But the message was clear: it’s okay for an animal to dance on prime time TV but not in a circus ring.

Amusingly, Zippos circus had previously made several attempts to hire Ashleigh and her canine companion. According to showman Martin Burton, “It appears I didn’t offer as much money as PETA, and Ashleigh and her agent went for the higher paid job!”

But is Ashleigh right to call for a ban on animal circuses? I looked into the matter in great depth for my book Circus Mania!, making backstage visits to several circuses and speaking to several former and current animal trainers, including Britain’s last lady tiger trainer.

For the full inside story on the way circus animals are kept and trained, click here to Circus Mania! from Amazon.

Or buy direct from Peter Owen Publishers at the SPECIAL OFFER price of just £10 postage-free. Send cheques to:

Peter Owen Publishers

81 Ridge Road

London N8 9NP

Tel: 020 8350 1775

Gerry Cottle's 50 years of Circus

Back in the Big Top!

Half a century ago, a stockbroker’s son from Cheam ran away with the circus. He went on to become the most famous showman of his time. During the 70s and 80s, Gerry Cottle became as synonymous with circus as Billy Smart had in the 50s and 60s - not least because of the Seaside Special prime time variety show broadcast each Saturday evening from Cottle’s big top. In later years, Cottle was the guiding force behind the enormous UK success of the Chinese State Circus, Moscow State Circus and Circus of Horrors. A decade ago, he retired from the road to revive the Wookey Hole Caves as one of the south west’s most colourful tourist attractions.

But, to steal a line from Cecil B. DeMille’s film The Greatest Show on Earth, you can shake the sawdust off of your shoes but you can’t shake it out of your heart. Before long, Gerry had established a thriving circus school at Wookey Hole. And this year he’s returned to the road with his first travelling circus in ten years: Gerry Cottle’s 50 Years of Circus - 50 Amazing Acts in 100 Minutes!

A selection of Gerry Cottle's Circus
posters in the programme of his
50th anniversary show

Presented in a huge big top with a cast of 35 performers and a live band, the show boasts an outstanding line up including one of Britain’s funniest clowns, Bippo, and big tricks such as Mad Max Newton using a crossbow to shoot an apple off his assistant’s head; a blindfolded high wire act and a heart-stopping Wheel of Death.

There’s also roller-skating, bicycle gymnastics, magic and large scale song and dance routines. According to a review in fairground newspaper World’s Fair, “By the finale the atmosphere inside the big top was electric, with deafening applause the like of which I have never seen at a circus.”

If you're in striking distance of Wookey Hole, why not book into Gerry’s Wookey Hole Hotel (01749 672243)?

!!!CIRCUS MANIA SPECIAL OFFER!!!

For the full story of Gerry Cottle’s life in the circus, not to mention the story of Bippo the clown, the Circus of Horrors, the Chinese State Circus and a whole host of circus performers from trapeze flyers to tiger trainers, read Circus Mania by Douglas McPherson, a book which Gerry Cottle himself called “A passionate and up-to-date look at the circus and its people,” and which the Mail on Sunday described as “A brilliant account of a vanishing art form.”

Circus Mania retails at £14.99, but you can save £5 by ordering direct from Peter Owen Publishers at the Special Offer price of just £10 postage-free in the UK.

Send cheques to:

Peter Owen Publishers

81 Ridge Road

London N8 9NP

Tel. 020 8350 1775


Or click here to buy Circus Mania from Amazon.

Circus Mania author Douglas McPherson filming on location with the BBC

Circus Mania author Douglas McPherson
makes his TV debut in BB1's
The Last Circus Elephant

Circus Mania author Douglas McPherson recalls a day of filming for a BBC documentary on the trial of Bobby Roberts and the fate of Britain's last circus elephant.


It was a day when we both learned a new word. David Whitely, the BBC Look East presenter, learned that clowns are nicknamed Joeys, and I found out what a noddy is.

We were standing in the middle of a blustery sports field, far enough from Russells International Circus that the red big top would appear just above my left shoulder. Diana Hare, the producer, was sitting on the grass making copious notes, and the tallest camera man I’ve ever seen was filming my answers to David’s questions about the rights and wrongs of animals in the circus.

The subject of animals in the circus is always
a thorny one. This is how the Daily Mail
reported the return of elephants to the
Great British Circus in 2009

It’s a thorny subject I looked into in great depth in my book Circus Mania! and it’s the subject of a half-hour documentary the beeb are making for likely broadcast in late June or July.

For me, it was fun to see the way TV programmes are pieced together. I arrived early in time to catch circus owner Rusty Russell being interviewed in the empty big top, the light gleaming off his red and gold tunic as he sat with his back to the sawdust circle.

As the audience began to arrive, Diana and the camera man scurried around taking ‘atmosphere’ shots of people taking their seats and buying popcorn. David was filmed speaking his introduction as he walked up to the box office. To the bemusement of the paying customers waiting in line it took three takes until he and the camera man were satisfied.

As the lights went down and the show began, I was ushered into a seat to be filmed watching and applauding the hoola-hoopist and hand-balancers. Then, as the circus continued, I was tapped on the shoulder and hoiked outside to be interviewed in the afternoon sun.

The Last Circus Elephant was filmed at the all-human
Russells International Circus

After the interview had been filmed, the camera man moved to a different position and David asked me the same questions all over again, this time stopping me after a few sentences. The camera man changed positions once more, this time squatting down for a low angle shot, and we repeated the procedure. The idea is that, for visual variety, they can use a long shot of me beginning to speak then cut to a close-up as I continue. And that is where the noddy comes in. The camera man took shots of David literally nodding at the camera as if in response to something I was saying. These reaction shots can then be cut into the finished film to cover the edits in the film of me speaking.

Finally, we filmed some ‘establishing footage’ of David and me and pretending to be in deep conversation as we wandered among the caravans and lorries at the back of the big top.

Circus Mania
author
Douglas McPherson

With my role as ‘circus expert’ complete, we returned to the tent - the BBC to film some backstage atmosphere and me to watch the final half hour of the show, which I’m pleased to say was very enjoyable. Russells Circus has no animals, in case you’re wondering, but it does have a promising young clown called Alex Morley and an impressive Hungarian springboard act.

How much of my interview will make it into the final film remains to be seen, as does whether the programme will be broadcast only in the eastern region or nationally. As the question of animals in circuses is a national one, David reckoned the documentary could end up broadcast countrywide in the prime time regional news slot.

A case of watch this space for further details, then.

In the meantime, if you want to learn more about the way circus animals are trained and treated, read about my behind-the-scenes visits and interviews with circus trainers in Circus Mania!

Updated 2nd Edition
for 2018!

Click here to buy Circus Mania from Amazon - the book the Mail on Sunday called "A brilliant account of a vanishing art form."

Update: Click here to read my review of The Last Circus Elephant.

Watch a more recent TV interview in which I talk about the stories behind Circus Mania, and the new updated edition. 

HOW LIKE AN ANGEL

NEW CIRCA SHOW TAKES FLIGHT

Australian circus girl
Chelsea McGuffin
in an earlier production by
Circa that you can read
about in
Circus Mania

(Photo by Raphael Helle,
courtesy Norfolk and Norwich
Festival)

One of the most visually unusual circus shows this summer is likely to be How Like An Angel, a mixture of acrobatics and 16th and 17th century choral music that has been specially created to tour four of England’s most striking cathedrals: Norwich, Ely, Gloucester and Ripon.

The show is the brainchild of Yaron Lifschitz, artistic director of Australian company Circa, who has teamed up with Robert Hollingworth, musical director of I Fagiolini to create a show that will see aerial artists flying through the high empty spaces of the four magnificent medieval buildings.

The tour kicks off in Norwich Cathedral June 26 - 28, before moving to Ely (July 2-3), Gloucester (July 16- 17) and Ripon (July 19 - 20). Tickets for Norwich cost £20 by phone on 01603 766400 or in person from the box office of the Norwich Theatre Royal.

In the meantime, you can catch up with the story of Yaron Lifschitz and Circa in Circus Mania by Douglas McPherson.

Circus Mania includes a chapter on Circa’s previous visit to Norwich when the company performed in the atmospheric setting of a traditional European Spiegeltent, or ‘mirror tent.’ A dramatic description of the show’s Chelsea McGuffin being suspended by her front teeth is followed by a next-morning interview with Lifschitz in which the director explains with a chuckle that in circus “Some things just hurt.”

Circus Mania, which also includes some eye-popping pictures of Circa in action, retails at £14.99 but you can save £5 by buying it direct from Peter Owen Publishers at the special offer price of just £10 postage-free in the UK (£2.75 postage rest of world). Send cheques to:

Peter Owen Publishers
81 Ridge Road
London N8 9NP

www.peterowen.com

Also read my interview with Chelsea McGuffin.

World Circus Day, April 19 2014

The fifth World Circus Day will be celebrated on Saturday April 19, 2014.


Ladies and gentlemen, boys and girls... Saturday April 19, 2014, is World Circus Day!

Organised by the International Circus Federation under the patronage of Princess Stephanie of Monaco, World Circus Day is a global celebration of the glamour, excitement, tradition and spectacle of the sawdust circle - and it’s something EVERYONE can get involved in.

Here is the recipe for a perfect World Circus Day:


1/ Google ‘Circus’ and the name of your town or county. Find the circus appearing nearest to you and go along! If you haven’t been for years, you’re guaranteed to enjoy it!


2/ Buy some paper plates and a can of shaving foam. Spray the shaving foam on the plates to make some nice big custard pies, then go into the garden and have a good old custard pie fight! (Rinsing off with water pistols is optional!)


3/ Get out your face paints and paint clown faces on your kids... and yourself!


4/ If you’ve got any circus skills take your stilts, unicycle or juggling balls out onto the streets and share your passion. If anyone asks you what you’re doing, tell them it’s World Circus Day!


5/ Buy a copy of Circus Mania - The Ultimate Book For Anyone Who Dreamed Of Running Away With The Circus by Douglas McPherson and read all about the unique lifestyle, traditions, culture, history, superstitions and secrets of the world’s greatest circus entertainers as told in their own words. 
Click here to buy Circus Mania from Amazon.

Certificate from Princess Stephanie of Monaco
marking Douglas McPherson's
participation in the 1st World Circus Day
with the launch of Circus Mania

The Mail on Sunday called Circus Mania “A brilliant account of a vanishing art form.” The Eastern Daily Press called it “Remarkable... captivating... beguiling... a real page turner.” The fairground newspaper World’s Fair called it “The greatest show on earth in a book!”

Circus Mania retails at £14.99, but to celebrate World Circus Day you can SAVE £5 by buying it direct from Peter Owen Publishers at the special offer price of just £10 postage-free in the UK (£2.75 postage worldwide).
Send cheques to:

Peter Owen Publishers
81 Ridge Road
London N8 9NP


Or click here to buy the paperback or ebook from Amazon.

May all your days be World Circus Days!

Cirque du Ciel Review

ShangHi

The Chinese circus tradition is more than 2000 years old, but all the old routines like hand balancing and contortionism, double Chinese poles and hat juggling come up like new again in ShangHi, the exciting new theatre show from Cirque du Ciel.
Directed by Zhang Wan who worked with Cirque du Soleil’s Guy Caron on an earlier version of the show called Magical Musical Box, ShangHi has a slender storyline: a sleeping girl dreams of watching and joining in with acrobats. But the stunts come thick and fast against a projected backdrop of swirling colours and a loud, westernised soundtrack given extra energy by a tireless onstage drummer.
Two highlights both feature foot juggling. The men juggle with each other in hip-hop clothes in the first scene that really gets the crowd excited. The women juggle with drums which they also play.
The skill level is high, the large cast routines are slickly choreographed and the glittering costumes are attractive in this high energy show which is touring the UK until August 25.
But what is the history of the Chinese circus and its influence on western circus? The answers can be found in Circus Mania, by Douglas McPherson, which goes behind the scenes of the Chinese State Circus as well as cutting edge cirque shows such as Cirque du Soleil and Cirque de Glace, traditional big top circuses and hybrids like the Circus of Horrors to discover the traditions, superstitions and secrets of the circus breed.

...........................................................................................................
!!!CIRCUS MANIA SPECIAL OFFER!!!
Described by the Mail on Sunday as “A brilliant account of a vanishing art form,“ Circus Mania retails at £14.99, To save £5 off the recommended retail price and buy Circus Mania at the special offer price of just £10 postage-free, send cheques to:Peter Owen Publishers
81 Ridge Road
London N8 9NP
Or telephone 020 8350 1775 to buy what World’s Fair called “The Greatest Show On Earth In A Book!”

Peter Owen New Address

Circus Mania book launch
as reported in The Stage
(L-R: Gerry Cottle,
author Douglas McPherson,
Dr Haze)

If you’d like to buy Circus Mania by Douglas McPherson at the special offer price of just £10 postage free, please note the new address and telephone number for Peter Owen Publishers:

Peter Owen Publishers
81 Ridge Road
London N8 9NP

T. 020 8350 1775

“Circus Mania is a brilliant account of a vanishing art form... an excellent book.”
- 4-star review, Mail on Sunday

Peter Owen OBE
Publisher of Circus Mania

2014 Update: Circus Mania publisher Peter Owen received an OBE for services to literature in the New Year's honours list. Click here for details.

Click here to read about the behind-the-scenes juggling that went into the Circus Mania launch party at Circus Space.

Circus Mania reviews

Circus Mania
in the headlines

CIRCUS MANIA

The Greatest Show on Earth in a book!


Looking for last minute Christmas presents? Why not take advantage of a great special offer to buy Circus Mania by Douglas McPherson at the special offer price of just £10 postage free?

Described by the critics as “Brilliant,” “Ingenious,” “Captivating” and “The greatest show on Earth in a book,” Circus Mania is packed with behind-the-scenes backstage stories and ideal Christmas reading for anyone with fond memories of childhood trips to the circus or more recent visits to Cirque du Soleil - that’s all of us, isn’t it?

Here’s what the critics and readers have said:

“Circus Mania is a brilliant account of a vanishing art form... an excellent book.”

- Roger Lewis, Mail on Sunday.

“Remarkable... captivating... beguiling... a real page-turner.”

- Eastern Daily Press

“
Like a good old fashioned circus the book rollicks along at a cracking pace, delivering a cast of colourful characters, and a parade of stories of the life-is-stranger-than-fiction variety. There are thrills and spills, acts of derring-do, heart-in-mouth moments, and laughs aplenty. The circus deserves this book and, like the circus, McPherson deserves for Circus Mania to reach a very wide and appreciative audience.”

- Tina Jackson, The Writers Hub website.

The headline says it all!
Circus Mania reviewed in World's Fair

“The greatest show on Earth in a book. Circus Mania serves as a panoramic peek behind the velvet curtain, covering every imaginable aspect of what goes on behind the scenes. An unmissable read.”

- World’s Fair.

“Ingenious... engaging... a powerful introduction to circus performance then and now.”

- The Call Boy, British Music Hall Society

Circus Mania reviewed in The Call Boy

“Full of stories and anecdotes that give readers a good sense of the thrills and dangers associated with the big top. The book should appeal to circus fans of all ages and levels of interest.”

- Booklist (USA)
“A passionate and up-to-date look at the hard work, danger and sometimes even death that world class circus performers face every day.”

-Gerry Cottle, showman.
“I really loved reading this book. Every page buzzes with memorable characters and stories, some funny, some sad, all fascinating.”

- 5-star Amazon customer review.
“Circus Mania is one of those rare non-fiction books that you end up reading as if it is a novel. It has great characters and plots and beautifully written descriptions.”

- Another 5-star Amazon customer review.

To save £5 off the recommended retail price and buy Circus Mania at the special offer price of just £10 including postage in the UK (£2.75 postage worldwide) send cheques to:

Peter Owen Publishers

81 Ridge Road

London N8 9NP

Or click here to buy Circus Mania from Amazon.


WORLD CIRCUS DAY APRIL 21, 2012 - WORLD CIRCUS DAY APRIL 21, 2012 - WORLD CIRCUS DAY APRIL 21, 2012

Circus Mania Review in The White Tops

“An inside view from the outside.”

Chelsea McGuffin in Circa
- Read about her
daredevilry and the
behind-the-scenes lives
of many other performers in
Circus Mania

My thanks to Mort Gamble for his gracious and perceptive review of Circus Mania in The White Tops - America’s most famous circus magazine! Here’s the full review:


CIRCUS MANIA by Douglas McPherson
review by Mort Gamble
(White Tops Sept/Oct)

If the title of this exploration of Great Britain’s circus world is to be believed, the shows of that island nation are a bit on the wild and wacky side. McPherson’s book, however, comes across as a more thoughtful, restrained treatment of the British circus tradition, past and present. There’s nothing crazy about people earnestly carrying on a performing arts tradition, even if they do step out of the bounds or the normal, by outsiders’ standards, to do it. Outside observer McPherson is impressed.
Watching the Valez Brothers Wheel of Death act, McPherson realizes his fascination with circus performers “and the mysterious glue that binds them to their life of peril. They are, there is no doubt, a breed apart... they seem to exist for no other purpose than to make the impossible seem possible.” It’s easy to dismiss that statement as trite, but it’s helpful to remember that he is writing for a more general audience, not circus fans, not historians or scholars.
His book is a balancing act itself as an overview of circus history, tradition, contemporary formats and modern issues of management - including Britain’s struggles with vociferous animal rights protesters. It’s an inside view from the outside and, if anything, demonstrates the universality of the circus mind and spirit. As he quotes one circus owner, it’s about “the excitement of watching someone attempt something they may not actually be able to do.”
The British circus tradition predates America’s. Entrepreneur Philip Astley - like John Bill Ricketts in this country - built his early circus around horsemanship, adding clowns, acrobats and other acts. Well-known circus names like Smart, Chipperfield and Bertram Mills brought size, fame and fortune to the English circus tradition. Recent years have been less grand as shows abandoned their exotic animals and some took on other forms, morphing into the adult-only, the freaky, the water-worldly, the scary - circus escaping into the witness protection programme of cirque or stage production.
Some tradition big top shows have soldiered on, even daring to bring back their elephants, and

Martin Lacey's
Great British Circus
"Circus undiluted and unashamed."

McPherson gives a nod to them when he listens, at Martin Lacey’s Great British Circus, to the stirring march of Entrance of the Gladiators, breathes in the narcotic of sawdust, trampled grass and animals, and finds himself emotionally involved: “This is circus, undiluted and unashamed. It’s down, it’s marginalized, and there’s not much of it left... but it’s alive, it’s powerful and it will live on.”
Circus Mania lacks the streetwise wit of a Bill Ballantine, functioning more like the industry observations of a David Lewis Hammarstrom. As an overview of the circus in Great Britain, it has value in illustrating a diverse entertainment tradition that may be unfamiliar to Americans. McPherson clearly admires the heroics of circus performers and, equally, the grit of circus managers who find ways to keep going despite the times. He laments that animal protesters, bent on “bullying and intimidating” have missed a good show and concludes on a hopeful note about the positive role of live, physical circus in a digital age.
There is nothing fake about staying alive while training nature’s perfect killing machine - the tiger - he writes. Similarly, in the authenticity of circus life and legend, what you see is only part of what you get. He means to take us into that world for a closer look.

Click here to buy the new, updated 2nd Edition of Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away with the Circus!

Circus Mania
in the papers

Click here to read a dozen reviews of Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away With the Circus.