When Circus Stunts Go Wrong

A YouTube video of Gandeys Circus' latest production, Hollywood, has captured a moment when a flying trapeze act went wrong.

A flyer's fall to the net is followed by a loud crash as the net appears to become untethered from its anchor point.

It clearly wasn't the scheduled end of the act, but instead of making a second attempt at the somersault, the flyer quietly exited the ring, followed by the rest of the troupe, who descended from their platforms via rope ladders instead of the traditional drop to the net, which had apparently been disabled.

Nobody was hurt, and the show continued without any mention of the incident. But it was clearly a near thing that could have been a lot worse - and a reminder of the danger involved in every circus act.

Big top accidents are rare, thanks to the skill and practice of the performers and their scrupulous attention to safety.

But when things do go wrong, it can be fatal.

My book Circus Mania was inspired by my interview with aerialist Eva Garcia, just days before she fell to her death during a performance at the Great Yarmouth Hippodrome.

It was the start of my journey into a canvas-covered world of sword-swallowers puncturing their throats and tiger trainers mauled by their animals as I sought to discover why circus artists risk their necks twice daily for our entertainment.

Circus Girl Power!

What an iconic picture this is, capturing the strength, pride, optimism and exhilaration of the circus performer and the circus itself! It looks like the Rosie the Riveter of the circus world.

In fact, it is strong-woman Aoife Raleigh, one of the stars of Daring Dames, Europe's only all-female circus festival, which takes place on Achill Island, off the coast of County Mayo in Ireland from 24 - 26 May.

Promising a packed programme of indoor and outdoor, day and evening performances in a variety of venues, including a trapeze rig set up beside the ocean, plus talks and discussions on issues affecting women in the circus, the whole event is completely free to attend.

For more information Daring Dames visit www.circus250.com 

Happy World Circus Day!

To me, this picture of British Cirque du Soleil star Lucie Colebeck (taken by Ollie Colebeck on stage at the Royal Albert Hall this January) really captures the wonder of the circus.

I recently interviewed Lucie for a forthcoming magazine story, and what a story it is! Part sports drama, part theatrical tale and part love story, mixed together with the Montreal magic of the world's biggest circus company.

Stay tuned!

 

The Circus Funtasia Story

From knife-thrower's assistant to ringmaster, Tracy Jones reveals how she ran away with the circus as a teenager and set up her own Big Top.

There aren’t many jobs in which the new girl gets knives thrown at her by the boss. But standing in front of a target while circus owner Phillip Gandey threw blades that hammered home within inches of her was Tracy Jones’ baptism of fire into life in the big top.

“I trusted him completely,” says Tracy, who ran away with the circus as a 16-year-old and today is ringmaster of her own show, Circus Funtasia. “I think because I was young, I didn’t have much fear. I’d try anything.”

Growing up in a tiny Welsh village, Tracy had no idea that a life of spotlights and sequins awaited her.

When she was 15, she took a weekend job looking after the horses of local stunt rider Gerard Naprous, who went on to work on films such as Rob Roy and TV series Game of Thrones. 

One summer, Gerard announced that he was joining Gandey’s Circus for a short engagement and Tracy went with him as horse groom.

“I didn’t even know what a circus was!” she laughs. “We were meant to be there for four weeks, but I loved it so much that I went home and said, ‘Mum, I’m going to join the circus.’ Mum was mortified. She tried to talk me out of it, but my heart was set. I packed my bag, they put me on a train and off I went. Later on, once my parents had visited the show and seen what it was about, they loved it.”

One of Tracy’s first jobs was parading around the ring with a snake draped around her shoulders.

“I was a little bit scared of snakes,” Tracy confesses. “But you get used to it. Then people start to teach you things. I learned a bit of trapeze, and trick riding on horses.”

Her speciality became twirling and throwing poses on a vertical rope called the corde lisse.

“Now I'm a ringmistress and stay firmly on the ground,” Tracy adds.

As well as travelling all over the UK, Tracy performed across the globe in Shanghai, Hong Kong and Dubai.

In 2000, Tracy was touring with Gandey’s sister show, Circus Starr, a non-profit organisation that gives all its tickets away to ill or disadvantaged children as well as raising money for hospices and women’s refuges.

It was there that she met her partner Julio, a member of a visiting Bulgarian acrobatic troupe.

The danger with circus romances is that couples will be separated at the end of the season as work takes them to different shows and different countries. Tracy and Julio decided that wasn’t going to happen to them.

“As soon as we got together, I knew that wherever he was going to go, I was going to go and vice versa,” Tracy says.

At the end of the season, Julio joined the circus full time as a tent master, so they could stay together.

Julio’s skill at building and moving the big top came in handy when he and Tracy decided to start Circus Funtasia 10 years ago.

“We said if we can get a loan from the bank we’ll open a circus and if we can’t, we’ll carry on working for other people,” Tracy recalls. “We got the loan, and that money went very quickly, buying seats and a few vehicles.”

Their first show was in the Staffordshire village of Penkridge and was a box office disaster.

“We died!” Tracy laughs. “We didn’t do very much business because we didn’t do the postering right, we didn’t do the publicity right. We were very naive, but we learned as we went along and it gradually picked up.”

Tracy’s daughter, Nia, has been part of the show since she was four.

“She’d go in the ring with her dad’s troupe and dance with them. Then he’d pick her up and do a jump with her. She loved it,” says her proud mum.

Now 19, Nia is the show’s juggler. She also edits the show’s music and programs the lighting effects.

Nia’s most daring feat is standing inside the Globe of Death while a motorbike loops the loop all around her, missing her by inches. 

Travelling from town to town with a circus is unlike any other branch of show business, says Tracy, who lives beside her big top in a 52-foot-long wagon that she likens to an apartment on wheels.

“We all do everything. We’re in the ring one minute, selling popcorn the next, then pulling down the tent in wellies and overalls after that. The worst things are the rain and mud. The best thing is the audience. You can’t beat the feeling they give you at the end of the show.

“It’s a way of life, but it’s a wonderful and exciting way of life. It’s very sociable, like one big family. Especially in the summer. Everyone sits outside together. We have barbecues. It’s lovely.”

Her plans for the next 10 years? “Just to keep going and enjoy every minute of it.”

For more tales of life in the big top, read Circus Mania - The Ultimate Book for Anyone Who Dreamed of Running Away With The Circus.

Click here to buy from Amazon.

 

Alexis Gruss, 1944 - 2024 - Farewell to a Knight of the French Circus

Alexis Gruss and wife Gipsy in one of his final visits to the ring

The death of French showman Alexis Gruss on 6 April highlights the difference in how circus is viewed on the other side of the Channel.

No English showman has ever been knighted. The Victorian impresarios Sir Robert Fossett and Lord George Sanger adopted those titles themselves.

France, by contrast, made Gruss a Knight in the Order of Arts and Letters and a Knight of the Legion of Honour.

When he died, his contribution to the arts was praised by French minister of culture Rachida Dati.

I don't recall any member of the British government marking the recent passing of English showmen Phillip Gandey and Gerry Cottle, despite their huge contribution to entertainment worldwide.

British circuses, meanwhile, have all but completely removed animals, including horses, from their rings - Giffords Circus being a rare exception in preserving the equine spirit of Philip Astley's first circus, 250 years ago.

Gruss, by contrast, built his fame on horseback.

In 1974, he founded Cirque à l’ancienne – ‘the Old Fashioned Circus’ – to mark the bicentenary of Astley’s first circus in Paris.

Eschewing the wild animal acts that had come to dominate circuses elsewhere, he returned the circus to its roots, with a focus on horsemanship, clowning and acrobatics.

The latest edition of his family's show, les Folies Gruss, is titled 50 Years in Paris, and is as dominated by horse acts as it ever was, with no less than 50 horses passing through the ring.

Among the artists are Gruss's grandsons, Charles and Alexandre, who won a Gold Clown at this year's Monte Carlo Circus Festival with their juggling on horseback.

Astley, who was buried in Paris, would be proud.

Horses and sawdust at les Folies Gruss in 2024