LADIES AND GENTLEMEN, BOYS AND GIRLS... welcome to the big top blog of Douglas McPherson, author of CIRCUS MANIA, the book described by Gerry Cottle as "A passionate and up-to-date look at the circus and its people."
Showing posts with label Mary Chipperfield. Show all posts
Showing posts with label Mary Chipperfield. Show all posts

Sunday, 13 February 2022

Circus lions loose in Grimsby! And hero clown takes chase!


Thirty years ago, Chipperfield Brothers Circus fans - and some local residents of Grimsby - saw a livelier show than usual.

Immediately after the opening big cat act, the audience stampeded when someone shouted, "The lions are loose!"


In the streets outside, a policeman, Sergeant Bellamy, was stunned to see a lion run past his police car... followed by a clown in full costume and make-up, complete with enormous shoes.

The funnyman was Tommy Cook - Clown Brum, who performed with Shaun Cook as Brum and Rum.

Armed with a chair, the clown cornered the lion in a blind alley, then broke the bad news: another three lions were still at large.

Local man Michael Strandt needed 24 stitches after a lion pounced on him and sank its teeth into his neck. He was only saved when another policeman rammed the beast with his car.

Another lion became trapped in the local bus station where a member of staff said, "It kept roaring and roaring."

Within an hour, the circus staff had successfully recaptured their animals.

It is thought the lions, which belonged to Mary Chipperfield, were let loose by animal rights protesters and the circus staff were praised for their bravery and efficiency in recovering them.

In true circus tradition, the following night's show went on as usual.


How do you train a tiger? Read my interview with Helyne Edmonds of the Great British Circus in Circus Mania - the Ultimate Book for Anyone Who Dreamed of Running Away with the Circus.


 

Wednesday, 18 June 2014

The 100-year battle to ban animals in entertainment

How the Daily Mail reported the
return of elephants to the Great British Circus
in 2009




The first calls to ban performing animals were made 100 years ago. In this article that originally appeared in The Stage, I untangle the history of opposition to animals in entertainment.

Animals have been entertaining us for as long as we’ve had professional entertainment. The word ‘circus’ dates from Roman arenas such as the Circus Maximus, where the spectacle ranged from chariot races to exhibitions of exotic breeds from across the empire. The circus as we know it was founded in London in 1768 by trick horse-rider Philip Astley, who augmented equestrian displays with clowns, acrobats and strongmen.

Animals were also part of music hall tradition. Jospeph Grimaldi, the early 19th century pantomime star regarded as the father of clowning, used a trained donkey called Neddy in his act.

The PG Tips chimps were among the most
popular TV stars of the 70s, but times change and the
long-running advertising campaign was eventually dropped.
Retired to a zoo, the chimps, including 42-year-old Choppers,
pictured here, were said to miss human interaction and
found it hard to integrate with other apes. Is that why
she looks so sad? Or does she just want a cuppa?
During the 20th century, animals were used in the film and television industries from the beginning, making stars of Lassie, Skippy the Bush Kangaroo and Flipper the dolphin.

Part of that tradition seemed destined to disappear when the government announced its plans to ban wild animals in circuses from December 2015. But that now looks unlikely to happen after the much anticipated Wild Animals in Circuses Bill failed to appear in the list of legislation to be brought before Parliament before the next election.

The campaign to outlaw performing animals is not new, however, and neither is the phenomenon of actors and other celebrities using their fame to endorse animal rights groups such as PETA (People for the Ethical Treatment of Animals).

The formation of the world’s oldest animal welfare organisation, the Royal Society for the Prevention of Cruelty to Animals (RSPCA), in 1824, led to the Cruelty to Animals acts of 1835 and 1876. The latter was intended to regulate experiments on animals. But concern over the use of animals in science spread to questions about their treatment in entertainment and led to the Wild Animals in Captivity Protection Act, 1900.

Jack London
- Pulp novelist who called
for direct action against
circuses with animals
The Performing Animals Defence League was founded in 1914 to campaign against the use of performing animals. It was followed in 1918 by the Jack London Club. The latter was named after American pulp novelist Jack London who called for direct action against animal performances in the forward to his 1917 novel Michael, Brother of Jerry, which focused on alleged cruelty to animals in America. The Jack Londoners, as they were known, picketed circuses in the US and then Britain and Europe throughout the 1920s.

The first attempt at a government ban came in 1921, when Liberal MP Joseph Kenworthy introduced the Performing Animals Prohibition Bill. The bill was unsuccessful, but a select committee was set up to investigate the issue and led to the Performing Animals (Regulation) Act of 1925 which to this day requires that anyone who wishes to perform with an animal in public must possess a licence.

Calls for a ban continued and in 1927, the RSPCA wrote to the Times, asking “Will the public help to abolish this painful form of amusement by refraining from patronising exhibitions in which performing animals have a part?” The letter was signed by a list of public figures and celebrities including playwright George Bernard Shaw and the actress Sybil Thorndike.

Billy Smart's poster from
the heyday of animals in the circus
The 1950s were a boom time for circuses in Britain, and a period when animal acts by far outnumbered tightrope walkers and trapeze artists. The two biggest operators, Billy Smart’s and Chipperfields, filled their 5000-capacity big tops with hundreds of animals from tigers and polar bears to sea lions and giraffes.

Against that background, the Captive Animals Protection Society (CAPS) was founded in 1957 to campaign and demonstrate against the use of animals in circuses and the exotic pet trade. In 1965, CAPS president Lord Somers sponsored a bill in the House of Lords to prohibit the use of performing animals. It was defeated by just 14 votes.

The 1970s saw the emergence of a new animal rights movement spearheaded by philosopher Pete Singer. Whereas previous campaigners had focused on animal welfare, the animal rights lobby sought to end the ownership of animals for entertainment, food, experimentation and products such as leather, by granting them equal rights to humans.

In 1984, husband and wife actors Bill Travers and Virginia McKenna founded the Born Free Foundation, named after the 1966 film Born Free, in which they had starred, to campaign against zoos and circuses.

Since the 1980s, around 200 local authorities have banned performing animals from council-owned show grounds. Circuses were forced to use private land in less accessible locations where animal rights activists often demonstrated at the gates. By the late 90s, most circuses had responded by dispensing with animals. The all-human Moscow State Circus and Chinese State Circus became the most successful big top shows in the UK, while Canada’s globally successful Cirque du Soleil, which had never featured animals, became the biggest producer in circus history.

An audience for animal acts remained, however. Zippos toured for ten years as an all-human circus but eventually introduced horses and dogs because of public demand. More recently, Ashleigh and Pudsey - a dancing dog - was a hit with the public on Britain’s Got Talent.

Dr Marthe Kiley-Worthington's
report on circus animals
Click here for more.
In 1988, the RSPCA sponsored an 18-month study of circuses by Dr Marthe Kiley-Worthington. The society refused to publish the results because she concluded circuses caused animals no distress and could have benefits for conservation, education and science. Kiley-Worthington subsequently published her report in the book Animals in Circuses and Zoos - Chiron’s World? (Aardvark Publishing). In Greek mythology, Chiron was half man, half horse and symbolises the relationship between humans and animals.

In 1999, undercover film made by Animal Defenders International (ADI) led to the conviction of Mary Chipperfield for cruelty to a chimpanzee at the Hampshire farm where she was training animals for film work.

Under pressure to ban circuses from using animals, the Department for Environment, Food and Rural Affairs (DEFRA) set up the Circus Animals Working Group. The resulting report by Mike Radford, in 2007, concluded that circuses were as capable of meeting the needs of their animals as other captive environments such as zoos, and that there were no welfare reasons for a ban.

My report in The Stage on the Great British Circus
elephant controversy
Further undercover operations by ADI, however, resulted in film of elephants being hit at the Great British Circus in 2009 and a retired elephant, Anne, being beaten by a groom at the winter quarters of Bobby Roberts Super Circus in 2011. Roberts was given a conditional discharge for failing to prevent the groom in the video from abusing the elephant.

Following the large scale media outcry over Anne, animal welfare minister Lord Taylor announced in March 2012 that the government would ban wild animals in circuses from December 2015, with a new licensing and inspection scheme introduced in the interim. Only two companies, Peter Jolly’s Circus and Circus Mondao, applied for and were granted licenses, with shows such as Zippos unaffected since they use only domestic animals.

The Stage
- The issue this article
originally appeared in.
Animal rights groups such as CAPs criticised the government for delaying the legislation necessary to bring in the ban, and when it emerged in June this year that the Wild Animals in Circuses Bill won’t be debated before the next election, its future was put in doubt.

After a hundred years of controversy, however, calls for a ban are unlikely to go away, and Britain’s stance on the matter will be closely watched by animal trainers and animal rights groups around the world. Both sides believe a ban in Britain, where circus was invented, could create a domino effect in Europe and America. And with the film and television industries largely dependent on circuses for their trained animals, that could have implications for the future of all animals in entertainment.


The 100-Year Battle To Ban Performing Animals - Timeline

1914 - Performing Animals Defence League founded.

1921 - Joseph Kenworthy MP introduces unsuccessful Performing Animals Prohibition Bill.

1925 - Performing Animals (Regulation) Act introduces licenses for performing with animals in public.

1957 - Captive Animals Protection Society founded.

Born Free
The film about a lion that gave its name
to an animal rights group.
1984 - Zoo Check Campaign, later Born Free Foundation, founded by Born Free stars Virginia McKenna and Bill Travers.

1980s - Many local councils ban circus animals from municipal show grounds.

1999 - Mary Chipperfield convicted of cruelty after undercover investigation by Animal Defenders International (ADI).

2000 - The Performing Animals Welfare Standards International (PAWSI) founded to promote animal welfare in audio-visual industries.

2006 - Classical Circus Association founded to represent circuses with animals.

2007 - DEFRA-commissioned Radford Report finds no welfare grounds to ban animals in circuses.

2009 - ADI releases undercover film of elephants being hit at Great British Circus.

2009 - Bolivia becomes first country to ban all animals in circuses.

2011 - Media outcry over ADI film of Anne the elephant being beaten at winter quarters of Bobby Roberts Super Circus.

2012 - Animal welfare minister Lord Taylor announces ban on wild animals in circuses in 2015 and Circus Licensing Scheme in interim.

2013 - Peter Jolly’s Circus and Circus Mondao become only two UK circuses licensed to use wild animals.

2014 - With the Government's proposed ban on hold until after next year’s general election, Labour MP Jim Fitzpatrick introduced a private member's bill under the 10-minute rule on September 3. It was blocked for the 12th time on March 6, 2015.

2015 - Thomas Chipperfield takes to the road in Wales with An Evening With Lions and Tigers.

2016 - The Welsh Assembly promise a ban on wild animals in travelling shows and appoint Professor Stephen Harris to carry out a study, which is expected to be complete by February 2016.

2016 - 10 February. Conservative MP Christopher Chope provides first public indication that the government may be reconsidering a ban, when he tells the Commons that the existing licensing regime has rendered a ban unnecessary. (Details here)

2nd Edition out now!
For more on the ever-thorny subject of animals in the circus, including a behind-the-scenes visit to Circus Mondao, one of only two British circuses licensed to use wild animals, read Circus Mania by Douglas McPherson. "A brilliant account of a vanishing art form," - Mail on Sunday.

Click here to buy Circus Mania from Amazon.

Sunday, 8 August 2010

Circus Mania review in Mail on Sunday - "Circus Mania is a brilliant account of a vanishing art form,"

Not my words, but the view of Britain’s best selling Sunday paper, the Mail on Sunday. Here’s the full four-star review by Roger Lewis, which appeared in the Mail on Sunday on August 8.

THE SHOW MUST GO ON FOR EVER
Circus Mania by Douglas McPherson
**** FOUR -STARS ****
Review by Roger Lewis.


The Mail on Sunday's
4-star review of Circus Mania
-
"A brilliant account of a
vanishing art form."
In the old days, the best way of disposing with a killer elephant was to change its name and sell it to a rival circus. You wouldn’t get away with that now. Indeed, you would be hard-pressed to find elephants in any travelling circus, according to Douglas McPherson in this excellent book. Mostly gone, too, are the footballing poodles, unrideable mules and snarling lions and tigers.

The public finally turned against performing animals in 1998, when Mary Chipperfield was convicted on 12 counts of cruelty against a chimp called Trudy. Animal rights charities have also been persistent, putting pressure on shops not to display posters advertising circuses and getting their fanatics to yell ‘child abuser!’ at parents who take their offspring to see a show.

Circus Mania traces the rich
history of the circus ring
It is illogical. Animal rights people ought to vent their rage on the horse-racing fraternity, or on anyone with a goldfish. The Government has recently completed a two year investigation which concluded circuses are ‘perfectly capable of meeting the welfare needs of animals in their care.’ Furthermore, animals are inspected by local authority vets and the RSPCA at every new site the circus visits. McPherson says circus animals have ‘always been fantastically looked after.’

Nevertheless, I agree with him when he says there is no need to see elephants or horses do demeaning tricks, as it is a privilege simply to be able ‘to admire them in motion at such close quarters.’
For that is the appeal of the circus: there is no computer-generated trickery. The galloping palomino stallions are real. The acrobats feats of strength and balance on the trapeze are real. The risk of sudden death is real.

Circus Mania is a brilliant account of a vanishing art form. McPherson vividly describes the frisson of entering the big top, the pulsating music and ‘the strange light beneath the canvas.’ Part of the appeal, he says, is the combination of ‘low budgets and high spirits,’ a mixture of ‘the tacky and the amazing.’

Circus Mania author Douglas McPherson
meets one of the last circus elephants ever to
appear in Britain in what the Mail on Sunday
called "A brilliant account of a vanishing art form."
The circus has a venerable and noble tradition. It commenced in the arenas of ancient Rome - the Circus Maximus, the Circus Flaminus and the Circus Neronis - with equestrian displays and gladiatorial contests. Acrobatic feats derive from the Chinese theatre. Horsemanship was a Cossack and Hungarian gipsy skill. The clowns came from pantomime and the music halls described by Charles Dickens.

McPherson’s interviews with today’s circus artistes are particularly interesting. Circus families are tight knit and have been slaving away for centuries. ‘There are no sick notes in the circus,’ one performer told him. ‘You go on and do the same act with a smile on your face, even if you are in pain.’

Such stoicism and dedication are only to be admired, for it can be a pitiless existence, living in ‘rusty, showerless caravans,’ and taking down and re-erecting the Big Top at a new ground every week or so.

Helynne Edmonds
- a picture from Circus Mania
To become an escapologist or juggler, or to perform gravity-defying stunts high in the air, takes immense concentration and years of practise. The great clown David Konyot was shot out of a cannon before he could walk. Anyone who wants to become a sword-swallower must train their oesophagus to open at will by poking a coat hanger down the throat.

Not everyone is cut out for the circus ring, despite their best efforts. Saddest of all are the likes of Otis the Frog Boy and Captain Dan the Demon Dwarf, deprived of their livelihood by disability rights activists.

McPherson also tells of a duff fire-eater who set fire to his finger and chin at an audition for Gerry Cottle. He tried to put out the flames on his chin and his finger reignited. Eventually, Gerry had to run over and cover him with a blanket. ‘He turned up at the show three days later with his finger all bandaged up and wearing his McDonald’s uniform.’

Perhaps the success of Cirque du Soleil, which currently has 19 shows running worldwide, means that the circus will stage a comeback. Fifty years ago, the Queen used to go regularly to Bertram Mills and Billy Smart’s, and I’m glad to see that Norman Barrett, ringmaster and budgie trainer, was included in a recent honours list.
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If that review makes you want to read Circus Mania, click here to buy the updated 2nd Edition direct from Amazon.


More press coverage for
Circus Mania!