My previous post on
Mr Fips Wonder Circus highlighted the division between
circus and
cirque, the former term being associated with traditional, family-friendly big top shows and the latter with contemporary or progressive theatre-based productions.
It’s a fluid division, of course, and not a battle line. Showman
Martin Burton presents
Cirque Berserk alongside his traditional
Zippos circus and argues that the important question isn’t whether circus is old or new but good or bad.
Katherine Kavanagh, who reviews a tremendous quantity and variety of circus shows on her blog
The Circus Diaries rightly commented that shows with cirque in the title can be as accessible as those with circus, and vice versa.
Katherine also mentioned
Cirque du Soleil’s
Kooza, which comes to
London's Royal Albert Hall from
January 7 to
February 8. Soleil was largely responsible for the rise of the term cirque and its adoption by a proliferation of companies hoping to grab a little of Soleil’s thunder. So I’m pleased to report that
Kooza not only asserts Soleil’s supremacy atop the tree of cirque but is a very accessible and
circusy show.
It’s a pity Soleil won’t be pitching the big top - or
Grand Chapiteau - of its American travels in
Hyde Park, although the in-the-round setting of the
Royal Albert Hall is perfect for circus, and circus buildings actually pre-date tents, recalling the atmosphere of
Astley’s Amphitheatre in the early 19th century.
A pity, too, that (as far as I know) they won’t be bringing superstar juggler
Anthony Gatto who seems to have done that most un-superstar-like thing and retired at the peak of his powers.
But
Kooza has many thrills still to offer, including a
three-person human pyramid on bicycles on a high-wire; a
wheel of death and some charismatic
solo trapeze from
Darya Vintilova (in the States at least; I guess the cast may change).
On the ground, meanwhile, there’s a charming double act on a single
unicycle that works both as ballet - the depiction of a romance between the characters - and gymnastics: the girl standing on the male unicyclist’s head.
 |
| Kooza - check your pockets before you leave. |
The highlight is a
clown pickpocket routine originated by
Michael Halvarson. While Soleil is great at doing ‘big,’ it’s compelling to watch a ‘close-up’ act where we can see how the volunteer’s tie is removed with out him realising.
The routine is slickly scripted, with sly lines like “You’re a waste bin, my friend,” as some scrap paper is returned to the victim, and the punch-line: “Don’t forget your
Viagra!”
The sketch ends with an exploding police wagon and disappearing trick that would fit perfectly into
Mr Fips Wonder Circus.
So yes, cirque can be as accessible as circus.
The only trouble is, having watched all the best bits on
YouTube, would I drive 100 miles each way to spend an evening in the
Albert Hall?
(And you thought I'd seen it America, didn't you...?)
Big Apple on the Big Screen
Which brings me to
New York’s
Big Apple Circus. On
November 8, the Apple streamed its show live to cinemas across America. US blogger
Showbiz David found himself watching it in a near deserted cinema in
California, as did his brother in
Utah.
In a country as big as
America the broadcast offered circus fans a fantastic opportunity to see a show that would normally cost them a tremendous amount in airfares and hotel accommodation - so it's hard to know why so few turned up. Maybe it just wasn't promoted enough and nobody knew about it.
It would be wonderful if the
Big Apple extended the favour to the rest of the world. Perhaps the organisers of UK
circus festivals should consider augmenting their programmes of visiting acts with live cinema shows of circuses from around the world, letting us watch the gold acts of
Monte Carlo, the elephants of
Ringling or, indeed, Soleil in
Las Vegas.
But can watching a circus in a
cinema, or at home on a
DVD or
YouTube, be as good as sitting ringside? Or could it even be better?
The atmosphere of a big top, with
grass under foot and popcorn in the air, has to be experienced first hand. But
multiple camera angles and
close-ups can offer a better view than the best seat in the house.
The
Kooza pickpocket, for example, was enthralling for me because on screen in close-up I could see everything so clearly. Would I have been able to follow the routine as closely from a side seat ten rows back?
Darya Vintilova’s trapeze act was enhanced by the sudden close-ups of her face that let us see the
exhilaration in her eyes.
Circus acts are by their nature often too fast for the eye to fully catch, so might there be a place for the
slow-motion action replay? I’ve seen many flying trapeze acts, for example, but watching from the ground has never matched the drama of the trapeze scenes in the (fictional) movie
Trapeze, where we’re given a real sense of
vertigo.
Finally, while experiencing a show in person may be more
atmospheric, not all atmosphere is good atmosphere. Take the ‘atmosphere’ of a
tall person sat directly in front of you, a
noisy eater to your side and a
coughing kid behind you, and the distraction of people fiddling about with their brightly lit phones. How about the queue for the loos and scramble for
over-priced refreshments? Or the
traffic jam at the car park?
 |
Douglas McPherson
Frankly, he'd rather be at home... |
One advantage of traditional circus is that the big top comes to your local town or village. You may not see the biggest or best acts, but you can park easily or go on foot and prices tend to be on the low side, whereas most cirque shows necessitate a trip to a bigger town or city with its attendant cost and bother.
At home, though, you get the best acts in the world without the crowds or hassle and, dare I say it, a
volume control and
fast forward button - things I often sorely wish for when I’m reviewing shows in person.
Cirque or circus, live or on screen. Ultimately, it’s not a matter of one being better than the other, more that they all have advantages and disadvantages, and they all have a role to play in making all our days circus days.
Read Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away With The Circus. Click here to read the reviews on Amazon.
