CIRCUS STARS OF TOMORROW

Inside the Academy of Circus Arts
tent as dressed for the filming
of the BBC1 sitcom Big Top.

Free Show

If you want to see the circus stars of tomorrow for free, get along to Hampstead Heath at 2pm on Friday, October 2, for the Academy of Circus Arts Graduation Show.

Martin Burton, of Zippos Circus, set up the Academy after booking a trapeze act trained in a conventional circus school. They had a great act, but because they’d trained in a place where the trapeze was permanently set up, they didn’t know how to rig their own apparatus. They then proved unable to adapt to life on the road in a caravan.

Zippo’s solution was to start a travelling circus school. Each week, the students not only put on a show for the public, they build up and pull down the big top, drive the lorries to the next town, put up posters, work in the box office and do all the other things that are part of life in the sawdust ring.

The result is graduates the world’s circuses can’t wait to snap up. The graduation show is a unique gala performance devised and presented by the students and teachers - and you can see it for FREE, in the Zippos big top at East Heath Road, Hampstead on Friday, October 2 at 2pm.

Seating is unreserved, so just turn up - sorry, I meant to say: roll up, roll up - in good time to get the best seat.

Click here to read an interview with Zippos founder Martin Burton

Must Circuses have Elephants?

Or clowns, for that matter?

Britain's funniest clowns
Clive Webb and Danny Adams

According to the old saying, which may or may not have been coined by Phineas T Barnum himself, a circus is not a circus without clowns, peanuts and elephants.

Well, the elephants made a nostalgic reappearance at the Yarmouth Hippodrome over the summer, if only in an opening archive film sequence that quickly established what the show, Celebrate, was celebrating: Peter Jay’s 30 years at the helm of Britain’s oldest purpose-built circus building.

It was nice to see the old rubber mules, as American troupers used to call them, and reminded me of Peter telling me fond stories about the pachyderms trouping off down the beach to swim in the sea between shows.

Zip back to the present, and not only have the animals long departed the Hippodrome, but this year, the clowns have as well. At the very least, they left their red noses and hoop-waisted trousers backstage in Clown Alley.

The laughs this year were provided by a double act of ringmaster Jack Jay (Peter’s son, taking the straight man role) and young comedian Johnny Mac. What they did was clowning by another name. Both the banter and high percentage of physical slapstick were strongly influenced by Clive Webb and Danny Adams, who ruled summer seasons at the Hippodrome for the past six years, before heading off to Butlins for the entirety of 2009.
Danny and Clive would have been proud of the young pretenders’ use of the Hippodrome’s water feature, including a particularly inspired gag that saw the well-upholstered Jack jump into a boat rowed by Johnny - and fall right through the bottom.

For all this clowning, though, there was not a scrap of motley and slap in sight. So, do 21st century clowns (and circuses) need their red noses, any more than big tops still need elephants (or peanuts, for that matter)?

Peter Jay makes the familiar point that a lot of people are scared of clowns: “When we had the clown posing for photographs outside, we’d have kids in tears before they came in.”

If nothing else, the plain clothes clowning of Jack and Johnny reminds us that many comedy double acts, from Laurel and Hardy to Cannon and Ball, are clowns without the noses.

Indeed, I went to the Seaside Special on Cromer Pier recently and was struck by the similarity of father and son comics Simmons and Simmons to Danny and Clive - the only difference being that the former wore normal clothes instead of ringmaster and clown clobber.

And yet... Simmons and Simmons were on a stage in a theatre, in a traditional variety show. Peter Jay tells me he sees the Hippodrome becoming less of a circus show than a variety show with circus acts in it.

But the fact remains that a circus ring, in a big top, is a very different environment to a theatre. It’s often bigger, for one thing. The exaggeration of colourful ringmaster jackets and clown clothes helps to get the show across to people who may be sitting some distance from the action.

And shouldn’t everything about a circus be bigger, bolder, more colourful, more glamorous and more exaggerated than real life, anyway?

Let me know what you think.

In the meantime, all this talk about clowns has got me thinking: who is Britain’s funniest clown? To find out, stay tuned to Circus Mania. (Or add your own suggestions)

ROLL UP, ROLL UP!

For a sneak peak behind the scenes of the BBC's new circus sitcom.
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Zippos 2nd tent rebranded as Circus Maestro
for the BBC sitcom Big Top
- filmed in deep winter

As I exclusively revealled in The Stage, the circus in BBC1’s new sitcom, Big Top, was very nearly called Zippos, after the real-life circus where it was filmed.

According to Zippos owner, Martin Burton, “I sent a memorable email saying that might be possible unless there were drunken chorus girls and badly behaved clowns. An equally memorable email came back saying, ‘There’s all of that and much more...’ So I said in that case we’d better not call it Zippos, and we re-branded everything as Circus Maestro.”

Starring sitcom royalty Tony Robinson and Ruth Madoc alongside Britain’s Got Talent host Amanda Holden, who stars as ring-mistress Lizzie, Big Top promises to do for circuses what Hi-De-Hi did for holiday camps.

Producer and director Marcus Mortimer, of Big Bear Films, recalls the origins of the show, which will be the flagship of BBC1‘s autumn schedule.

“We’d just had a lot of success with My Hero, about a superhero living near Greenford, and the broadcasters said they’d really like an ensemble piece for a mainstream audience,” says Mortimer, who‘s other successes include Jonathan Creek.

“Our head of development, Susie McIntosh, came to a meeting and said, ‘How about a circus?’ And we all went, ‘Do you know? That’s never been done before.’ Nobody has done a comedy, or even a drama, in this country about a circus. Which is absolutely extraordinary.”

To script the series, Big Bear turned to My Hero writer Daniel Peak.

“Daniel is one of the best of the best of the new, young writers,” says Mortimer. “And, amazingly, he turned out to be a big circus fan.

“The BBC asked us to do a read and at that read we had Amanda Holden, Tony Robinson, John Thomson, who plays the clown... everybody turned up. All the actors loved the parts we wanted them to play and about six days later the controller said, ‘I’ll have a series, please.’


Big Top was filmed in mid-winter... and was sadly
to get a frosty reception from TV critics

“I think people were genuinely fired up by the sense of colour and fun and that element of family entertainment that perhaps hasn’t been around that much lately. A lot of comedies are post-nine o‘clock. They wanted something at 8.30 and we said, ‘Let‘s give ‘em a circus.’”
Inevitably, there are those who wonder if Big Top will portray the circus industry in a bad light.

According to veteran showman Gerry Cottle, “The trouble is that whenever you see a circus on television, the boss is always a crook, with a silver waistcoat and an earring, like David Essex in All The Fun Of The Fair.”

The premise of Big Top is that ring-mistress Lizzie has taken over running the circus because her father, the owner, is in jail for fraud.

The interior of the Zippos tent
redressed as Circus Maestro

But, according to Mortimer, “We’re not having a pop at circuses, in the same way that Hi-De-Hi was not having a pop at holiday camps. Maplin’s Holiday Camp was a great, fun place to be. Big Top is about a circus that is struggling to exist in the current climate, but they always manage to pull something out of the hat because they’re actually a good circus.”
Most of the action in Big Top takes place backstage and was filmed in front of a studio audience.

“It’s a bit like Hi-De-Hi,” says Mortimer. “You didn’t see that much of the knobbly knees competitions. Mostly you were in the offices and chalets. But, of course, you do have to show what goes on in the tent, so we went to Zippos and said, ‘Can we borrow your big top?’”
Burton set up a number of circus stunts for the programme, including a scene in which Amanda Holden is strapped to a revolving knife-thrower’s board.

“She needed a bit of hand-holding before she got involved with that, and I can’t say I blame her,” chuckles Burton, who adopted the name Zippo, from the lighter, as a fire-eating clown and street entertainer, in the 1970s.

Although Burton supplied a knife thrower, he didn’t throw the knives at Amanda for real.
“It’s television,” says Burton. “But we did strap her on and spin her around for real.”
Another action sequence involved a dog chasing John Thompson’s clown onto the flying trapeze, where his feet catch fire.

Amanda Holden and the
cast of Big Top

“It was totally implausible, but we had great fun rigging it,” says Burton. “And before you ask, they booked the dog and no, it couldn’t climb the bloody ladder! If I’d booked the dog, they’d have got a dog that could climb the ladder.”

Bruce Mackinnon had a stunt double for his onscreen tumbling as the Eastern European acrobat Boyco. But he prepared for the role by spending an afternoon walking the tightrope at London’s circus school, Circus Space.

“Once, with my arms flailing like mad, I got from one end to the other. You read stories of old tightrope walkers or trapeze artists, and it’s such a poetic thing to them. So it was nice to get a taste of that - although it’s one thing to be just a couple of feet above the ground and another to know there’s nothing beneath you but death. I think that would be a lot harder... or maybe easier!” the actor chuckles.

Did Zippo share Cottle’s reservations about they way circus would be portrayed in the series?

“I’ve had a very long career working with television companies and I’m very aware that television does what it does in order to get ratings,” says Burton, who also recently lent his tent to a forthcoming episode of the ITV series Married, Single, Other.

“I suspected not everything would be as positive towards circus as I might like and I’m sure there will be a few die-hard circus fans who will be outraged and say it mis-represents circus.

“But I ignore all that. Because the truth of the matter is that if you ask the average six, seven or eight-year-old today what a circus is, they probably don’t know. But I’m sure after this programme they will know. I just think it’s great that circus is back on telly.”

See also: Big Flop?
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For the complete inside story on the making of Big Top, read Circus Mania.

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In the meantime, does anyone know why it’s Zippos rather than Zippo’s?
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Click here to read an interview with Zippos owner Martin Burton as he looks back at 2013.