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Alexis Gruss and wife Gipsy in one of his final visits to the ring
The death of French showman Alexis Gruss on 6 April highlights the difference in how circus is viewed on the other side of the Channel.
No English showman has ever been knighted. The Victorian impresarios Sir Robert Fossett and Lord George Sanger adopted those titles themselves.
France, by contrast, made Gruss a Knight in the Order of Arts and Letters and a Knight of the Legion of Honour.
When he died, his contribution to the arts was praised by French minister of culture Rachida Dati.
I don't recall any member of the British government marking the recent passing of English showmen Phillip Gandey and Gerry Cottle, despite their huge contribution to entertainment worldwide.
British circuses, meanwhile, have all but completely removed animals, including horses, from their rings - Giffords Circus being a rare exception in preserving the equine spirit of Philip Astley's first circus, 250 years ago.
Gruss, by contrast, built his fame on horseback.
In 1974, he founded Cirque à l’ancienne – ‘the Old Fashioned Circus’ – to mark the bicentenary of Astley’s first circus in Paris.
Eschewing the wild animal acts that had come to dominate circuses elsewhere, he returned the circus to its roots, with a focus on horsemanship, clowning and acrobatics.
The latest edition of his family's show, les Folies Gruss, is titled 50 Years in Paris, and is as dominated by horse acts as it ever was, with no less than 50 horses passing through the ring.
Among the artists are Gruss's grandsons, Charles and Alexandre, who won a Gold Clown at this year's Monte Carlo Circus Festival with their juggling on horseback.
Astley, who was buried in Paris, would be proud.
Horses and sawdust at les Folies Gruss in 2024
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