LADIES AND GENTLEMEN, BOYS AND GIRLS... welcome to the big top blog of Douglas McPherson, author of CIRCUS MANIA, the book described by Gerry Cottle as "A passionate and up-to-date look at the circus and its people."

Sunday, 8 December 2013

All the fun of Carter's Steam Fair

Gerry Cottle (left) and Dr Haze (right)
join author Douglas McPherson
at the Circus Mania launch party






Arriving early for the launch party for Circus Mania, I found myself with a little time to spare and wandered outside to the sunny square in front of the former Victorian power station that houses Britain’s premier circus school Circus Space.
Sitting at a table outside the Juggler cafĂ©, I spied two distinguished gentlemen of the circus - Gerry Cottle and Dr Haze, founder of the Circus of Horrors. Both being of the with it and for it temperament, they were there to help me promote the book and, being a man without pretension, Gerry’s first action was to buy a fresh round of tea for us all.
He then showed me a book of his own which he’d just collected from the printers - a glossy booklet about the vintage rides and lorries of Carter’s Steam Fair, which is run by the lady in his life, Anna Carter.
Fairs have always been closely allied to circuses, so I decided to interview Anna and her son Joby about life on a fairground that winds back time to the rock’n’roll years of the 1950s and even earlier wherever it sets up.


Carter’s Steam Fair Part One: 
Moving the Fair.











“Don’t ask me about lorries,” says Anna Carter, “I hate lorries!”

Yet this is a lady who owns and operates a fleet of more than twenty vintage Scammells, Fodens and Fords dating from the 1960s, 50s, 40s and even 30s. What’s more, she presses even the oldest of them into the sort of hard labour they were built for, hauling around the home counties the collection of beautifully restored dodgems, gallopers, chair-o-planes and other retro rides that comprise Carters Steam Fair.

That’s not to mention a fleet of 1940s showmen’s living wagons in which Anna, her sons and the other fairground workers reside - even when the fair is parked up for the winter on the edge of an airfield in Berkshire.

Until recently, Anna drove the fleet’s flagship, a 1932 Ford Model A that proudly bears the inscription Britain’s oldest working Fairground Lorry above its windscreen.

“I’m not sure which was the more long in the tooth, the lorry or me,” Anna quips. Either way, it was a lack of driver comforts that eventually drove her out of the 78-year-old cab.

“It was agony to drive,” the fairground matriarch winces. But, when she’s not selling candyfloss at the fairground, or sign-writing her immaculately preserved vehicles back at the yard, Anna is quite happy to take her turn behind the wheel of one of the fair’s more modern workhorses. The bulk of them date from the 60s and 70s - and even that was an era when the idea of cosseting lorry drivers had yet to occur to most manufacturers.

As Anna’s son Joby puts it, “They’re hard work on a hot day, or a cold day - any extreme, really. When you get out you really know you‘ve done it, whereas driving a modern lorry is like sitting in your living room, isn‘t it?”

Yet, having grown up in a wagon, and been serenaded in his cot by the sounds of vintage rock’n’roll from the waltzers and octopus, while his parents plied their trade from showground to showground, you’d never tempt Joby to swap his aging AECs and Atkinsons for the luxury of a new Mercedes.

Reluctant to pick a favourite from the venerable fleet, he says emphatically, “They’re all lovely. Every one has its own distinct character.”

Despite their age, the trucks also appear to be more than up to the job of moving the fair from site to site each week.

All the lorries are finished in Carters distinctive two-tone maroon and red livery and many, such as a 1944 Scammell, bear the slogan British & Best... & Still Going Strong. In fact, the fleet’s motto is perhaps encapsulated in a two-word sign bolted to the Scammell’s radiator grille: Why not?

Living the dream
The founders of Carter's Steam Fair live in
wagons to match their rides and lorries
“It’s good old stock,” says Joby. “It’s built to last.”

Of course, like any vehicles of their age, the lorries have their foibles and have to be treated with respect.

“Sometimes I’ll go off to book a showground,” says Anna, “I’ll come back from the site meeting and go, ’Oh, my God, there’s a hell of a hill.’ Because on a long drawn out hill the engines do get hot. The only thing you can do is pull in as quickly as you can and let the engine cool down.”

“You can’t put any driver into these vehicles,” Joby adds. “They have to know what they’re doing.”

But, when breakdowns do occur, Joby and his brother Seth are more than up to fixing them. Having grown up around dismantled engines and grease, they spend their ‘days off’ from moving and running the fair restoring to their prime lorries that others would find fit only for the scrap yard.

As a biplane buzzes like an angry gnat above the airfield Carters Steam Fair calls home, Joby reveals that he’s just painted the number 23 on his latest restoration, and he’s about to start work on another four that, after a bit of tender loving care, will be “coming into service soon.”

“My sons always liked Meccano,” Anna says proudly. “They can look at a pile of scrap and think, oh yeah, that can be done; we can restore that. They see it as a challenge.”

Click here for Part Two of the Carter’s Steam Fair story, in which we’ll look at how it all began.

And for a fictional look at life on a travelling fair, read the Fairground Girl and Other Attractions by Julia Douglas. Click here to but from Amazon.

Carter's Steam Fair Part Two: How it all Started

Carter's Steam Fair
in full swing









Many fairground families have been in the business for generations. But although Carter's Steam Fair operates probably the oldest rides in the country, as showmen and women they are new kids on the block.

The fair began in the 70s, when Anna Carter’s late husband John brought home a derelict set of gallopers dating from 1895.

At the time, the couple were promoting steam rallies, military vehicle rallies and collectors fairs. But John was a passionate collector in his own right.

“He collected everything, really,” Anna recalls. “American cars, gramophones, enamel signs. If it was old or interesting, he collected it.”

The purchase of the Tidman-built gallopers, however, was to be the beginning of a new passion that eclipsed all John’s many others.

Gallopers, incidentally, is the correct British name for what the uninitiated might call a merry-go-round - the kind where the horses go up and down on poles as it turns. According to Anna, the other commonly misapplied name, carousel, is what the Americans call them - and you can tell the difference because the American roundabouts rotate in an anti-clockwise direction while the British fairground horses always gallop clockwise.

A taste of the 50s
the Rock'n'roll Burger Bar
For months, the couple stripped, painted and restored the countless individual parts of the gallopers in a shanty town of sheds they constructed in the back garden of their rented farmhouse.

By luck they located the original steam engine that had powered the ride and, in the winter of 1976/77, they built up the huge elaborate fairground ride in their front garden.

As the smoke belched, the rows of multi-coloured light-bulbs glowed and the carved wooden horses rose and fell in time to the music, the ornately decorated rounding boards at the top of the mighty contraption missed the gutter of the house by inches.

Initially taking the gallopers to weekend shows, the couple quickly realised that the takings from one ride wouldn’t support their growing family. So, throughout the 80s, they added more and more vintage rides - a set of chair-o-planes from the 1920s,  a 1930s ‘ark,’ and a stomach-churning 1945 dive bomber first owned by circus showman Billy Smart.

The fairground today looks like a living film set, every brightly painted truck, ride, wagon, sign, slot machine, burger bar and ice cream van restored to its original period appearance.

The result is that the fair attracts a more genteel clientele than the typical modern funfair.

“We‘re much more family orientated,” says Anna. “I think everyone gets some yobs nowadays, but we don’t get so many, because the families swamp them out, and the music we play - 40s big band music and 50s rock’n’roll - doesn’t attract them. If we do get any yobs in we put Cliff Richard on. That soon drives them away.”

Click here for Part Three of the Carter’s Steam Fair Story, in which we’ll look at the hard work behind the fun of the fair.

And for a fictional look at life on a travelling fair, read the Fairground Girl and Other Attractions by Julia Douglas. Click here to but fro

Carter's Steam Fair Part Three: Life on the Road






For all the fun of the fair, running Carter’s Steam Fair is far from cushy.

Pulling down and packing away the fair begins on Sunday night and continues all through Monday, with around 20 workers involved. On Tuesday, the fair travels to the next town. Typically, the fair has 16 or 17 lorries in operation at any one time, but even with that many vehicles moving in convoy, there are so many loads to move that Joby and Seth often make three or four trips back and forth.

Wednesday, Thursday and Friday morning are spent putting the rides back together, after which the fair is open all weekend, from noon until 11pm.

The fairground season extends from March to October, with additional shows at Christmas and, apart from the sheer heavy lifting and long hours, the weather is a constant enemy.

“The worst thing is high winds,” says Anna Carter. “We dread that, because it can do so much damage.”

Rain is another problem, turning grassy showgrounds into muddy quagmires.

A taste of the 50s
“We try hard not to damage the ground,” says Anna. “I’d like to say we lay down a state of the art roadway, but we can’t run to that, because they’re about £25,000. Hiring in tracking is also expensive, because when the weather’s bad everyone wants to hire it.

“So when the ground’s wet and muddy, we put down plywood boards to make a length of road and move the lorry and the load along that. The plywood doesn’t last very long, and there’s only so much we can carry. So you have to keep taking it up from behind the load and keep moving it to the front. It’s unbelievably hard work, and if its raining, it’s really miserable.”

In one respect, though, Carters’ vintage rides and lorries have a big advantage over their 21st century counterparts.

“Modern machines are unbelievably heavy,” says Joby. “Show them a bit of mud and they sink beyond recognition.”

Carters rides are much lighter. Many of them, after all, were designed to be moved when the only transport was horse-drawn.

In addition to their permanent staff, the fair attracts a wealth of volunteer labour.

“There’s something about the fairground business where people want to be involved,” says Anna. “They love the atmosphere... and they probably think we’re so mad they want to help us.”

For her own part, Anna says, “The best thing about this life is we’re doing something very different - it’s a bit off the wall, isn’t it? The fair is completely unique and I’m very proud of what we’ve all achieved.

“There’s also a lot of camaraderie. We all socialise and have fun together and if anything goes wrong you can always rely on everyone else to help.”

With no thoughts of retirement in mind, Anna concludes, “I’ll probably be doing this until I die.”

Joby feels the same, adding, “It’s a hard life, but if I didn’t love it, I wouldn’t do it.”

Like his father before him, Joby’s a born collector and for the future he plans to add yet more rides - and lorries - to the family’s ever growing collection.

“I can’t help myself,” he grins. “It would probably be better if we stopped and just travelled what we already have. But the thrill of it is there’s still old equipment around that other people have given up on. So suddenly you think, yes, I’d love to have a ghost train!”


For more information on Carters Steam Fair visit www.carterssteamfair.co.uk or call 01628 822221.


Roll Up, Roll Up for a Great Circus Read.

If you like fairgrounds and circuses, you might enjoy Douglas McPherson’s book, Circus Mania - The Ultimate Book For Anyone Who Dreamed Of Running Away With The Circus.

Described by the great showman Gerry Cottle as “A passionate and up-to-date look at the circus and its people,“ Circus Mania can be ordered direct from: Peter Owen Publishers on 020 8350 1775

Or from Amazon by clicking here.





Martin 'Zippo' Burton
- interviewed here
on Tuesday.
Click here to read an interview with Zippos' owner Martin Burton, looking back on a "tremendous" year.

And if you'd like to buy a circus of your own, click here!







 



Friday, 6 December 2013

Circus elephant escapes in Rome

Elephant on the Rome





How do you lose an elephant? Ask the staff of the Amedeo Orfei circus. Their pachyderm called Mia packed her trunk and wandered off for a sightseeing spree in Rome earlier today and was only recaptured after a couple of hours on the loose when residents called police and reported the beast loitering by Exit 11 of the Grande Raccordo Anulare highway. Presumably she was trying to hitch a lift out of town.

This is not the first elephant to escape from a circus in Rome. Just last month a different elephant was found trying to pick up a snack in a market place after escaping from a nearby big top.

By the way, doesn't that elephant have the cheekiest face? Who says they're cruelly confined when, in Italy at least, it seems they're free to wander off whenever they choose.

For more elephant stories, from the famous Jumbo to the infamous rogue Black Diamond, read Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away with the Circus.
Click here to buy Circus Mania.

Sanger's Coronation Circus



As Diamond Jubilee year draws to a close, here's a glimpse into Sanger's Coronation Circus programme from 1953, as archived in the Victoria & Albert Museum.





Read the story of the circus, yesterday and today, in Circus Mania by Douglas McPherson, described by the Mail on Sunday as "A brilliant account of a vanishing art form."

Coming next week on the Circus Mania blog: An interview with Zippos showman Martin Burton looking back on a fabulous season in 2013


No, that's not Martin, that his strongman Hercules.


Thursday, 5 December 2013

Barnum & Bailey come to Norwich - a City of Circus for Circus250



Christmas shopping in Prince of Wales Road in Norwich today, it was hard to imagine Barnum and Bailey's Greatest Show on Earth parading along the same route in the 19th century, as shown in the picture below from the Victoria and Albert Museum archive. So it's fitting that Norwich has been named as one of the Six Cities of Circus for 2018's Circus 250 celebrations marking 250 years of the circus.



For the story of how Barnum met Bailey, and many others from the circus of yesterday and today, read Circus Mania by Douglas McPherson, described by the Mail on Sunday as "A brilliant account of a vanishing art form."

Tuesday, 3 December 2013

Zippos Nicky de Neumann turns rescue horses into circus horses

Nicky de Neumann
Riding high with Zippos




When she was growing up, Nicky de Neumann was told she’d have to choose between the horse world and the theatrical world, but she was determined to do both. 2013 saw her bring the spirit of Astley’s first circus to Zippos with her spirited Roman riding. In the following article, which originally appeared in My Weekly, she told me, in her own words, how she became a stunt rider who these days turns rescue horses into circus stars.


Why ride one horse
when you could ride three?
I fell in love with horses when I was five-years-old. A school friend had a pony and from the moment I set eyes on it I was smitten. I begged my mum for a horse but I didn’t come from the kind of background where you get anything handed to you on a plate. My mum said, ‘Yes, dear, when you can afford one...’ So every Christmas and birthday I asked my parents for money instead of presents. By the time I was 11, I’d saved £500 and my grandfather was so impressed that he doubled it and I bought my first pony. I had him up until earlier this year when he sadly died at the ripe old age of 28.
I started trick riding when I was 14. My school wanted me to do work experience in a solicitor’s office but there was no way that was for me. So I found a guy called Rodeo Dave and I did my work experience in his stunt shows at county fairs - throwing myself on, off and underneath horses, going as fast as possible! It was dangerous, but when you’re a kid you’re fearless. I loved it.
Growing up, my two big passions were horses and acting. Everyone told me I couldn’t do both. At drama school, they wanted me to get rid of my horses, because they were such a big distraction and I was always tired. Everyone in the horse world, meanwhile, said I should forget about acting. But I was determined to do both and I have.
I’ve done a lot of fringe theatre, singing and cabaret. But I always seem to be called for more horse work. I played Annie Oakley for five years in a wild west show at Euro Disney. I also created my own all-girl stunt team and toured the country.
Nicky de Neumann
demonstrates the love with which
she turns rescue horses into circus stars
Horses need vast amounts of training for the type of work I do, which includes going over jumps Roman style, standing on two or three horses. But you can train any horse if you spend enough time.
I have two rescue horses, including one called Scooby who was going to be shot because he was deemed un-ride-able and out of control. I’m a sucker for a sob story and I took him on with no idea that I’d even attempt to turn him into a stunt horse - I just wanted to save his life. But now I’ve got him in the show and he’s terribly sweet.
To me, horses are like kids. They’re not inherently bad, and if they display bad behaviour there’s usually some reason in their past. So it’s about getting to know their personality and working with their strengths.
The training is all about making things fun and appealing for them. If they become your friend and know they’ll get rewarded with a carrot or a kiss and a cuddle, then they want to please you.
I’m currently touring with Zippos Circus and it’s lovely because I get to be with my horses 24/7. I live in the lorry, which is attached to the stables, so we’re all together. They get loads of attention and fuss and I’m there constantly, as opposed to someone who sees their horse once a day and pays someone else to feed them while they’re at work.

Interview by Douglas McPherson


For more inspiring stories of the lengths circus folk will go to pursue their dream, including a full chapter on Zippos, read Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away With The Circus.

Click here to buy Circus Mania.









Click here to read an interview with Zippos owner Martin Burton.

Jazz singer Jamie Cullum puts his head in the lion's mouth (well, metaphorically speaking...)



Jazz singer Jamie Cullum has come under attack from animal rights group Animal Defenders International after playing a gig at Munich's 100-year-old circus building Circus Krone. He hasn't joined the circus or anything like that - as well as its resident circus, the building's just a venue that gets used by all manner of rock and pop performers. But, according to ADI's chief executive Jan Creamer that's not the point: he was condoning cruelty to animals just by being there.

The view from Jamie Cullum's dressing room?
Elephant and camels wintering
at Circus Krone
Anxious to head off controversy, a spokesperson for the singer told the press, "Jamie was not aware that the venue was used for live animal performances during the summer months. I can confirm that no animals featured in his performance and that he does not condone the use of live animals as a form of entertainment."

In his regular programme on BBC Radio 2, however, Cullum had already told his listeners a rather different story: "I'm actually playing a in a circus tonight. When I say a circus I mean an actual circus so when I look out my window I can see lions and tigers ... Tonight I'm literally in a circus and it's a beautiful venue and looking forward to playing here tonight."

Will ADI start picketing Cullum's gigs? Well, you know what they say about working with animals and children...

Britain's oldest
circus building
- a picture from
Circus Mania
If you've never heard of a circus building and thought circuses only appeared in tents, read the story of Britain's oldest circus building, the Great Yarmouth Hippodrome, in Circus Mania - The Ultimate Book for Anyone who Dreamed of Running Away with the Circus.

Click here to buy Circus Mania.


Oh, and if you'd like to buy a circus building of your own, click here for details.

Grant Goldie - Juggling at the Thursford Christmas Spectacular









The Thursford Christmas Spectacular has been called the world’s largest village show and one of the best kept secrets in showbusiness - a £3m West End-scale production staged with a cast of hundreds in a huge agricultural shed full of the carousels, showman's engines and fairground organs of a Norfolk steam museum, the whole thing decked with so many lights it looks like an Aladdin's Cave. This year’s cast includes juggler and diabolist Grant Goldie who told me all about it:

Growing up in Norfolk, did you go to Thursford as a child?
I first went when I was five, and what I remember most was how cold it was. There was no heating in the barn in those days and you could see your breath. Luckily it’s a lot warmer now.

How would you describe Thursford today?
It’s a monster show, with so many people doing so much that it’s quite unbelievable. Everyone says, ‘You’re playing to 1400 people twice a day for two months? Where’s that - London?’ No, it’s 40 miles from the nearest dual carriageway! I don’t know how it’s grown so big, except that they’re obviously doing something right. There’s loads of room backstage with a big green room and a rehearsal area. The wings are massive, as is the venue.

How did you get involved?
A friend recommended me for Santa’s Magical Journey, which is a walk-through experience on the side. The kids meet Santa, then there’s a 120-seat theatre area with magicians etc. I did that last year, then this year they put me in the main show. The only restriction is there’s not much headroom for diabolo, so I do most of the routine on the D section in front of the stage, then there’s a bit to the side with more height, so I go there for a higher throw.

How does Thursford compare with your usual work?
I usually play international street theatre festivals, but Thursford is great, because it's like Christmas for two months. Even the houses in the village put up their decorations in November.

The Thursford Christmas Spectacular runs every day until December 23.
www.thursford.com


Jasper King
tries not to become a
burnt Chippolata
- a picture from
Circus Mania
For more about jugglers, including an interview with street stars the Chippolatas and how Gerry Cottle began his career with homemade juggling clubs made from lemonade bottles and broom handles, read Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away With The Circus. It's the ideal Christmas present for anyone who hasn't been to a circus since childhood.

Click here to buy Circus Mania - described by the Mail on Sunday as "A brilliant account of a vanishing art form."