LADIES AND GENTLEMEN, BOYS AND GIRLS... welcome to the big top blog of Douglas McPherson, author of CIRCUS MANIA, the book described by Gerry Cottle as "A passionate and up-to-date look at the circus and its people."
Showing posts with label Thomas Chipperfield. Show all posts
Showing posts with label Thomas Chipperfield. Show all posts

Friday, 20 January 2017

Today Ringling, tomorrow your horse, dog, cat and Big Mac


The announcement of Ringling Bros circus closing this year, makes it an apt juncture to re-read the words of tiger tamer Thomas Chipperfield in the Times, above. (Click on the image and it should come up big enough to read)

The end of Ringling has been claimed as a victory by animal rights campaigners. It was their lobbying that led to the legislation in key American cities like Los Angeles that made travelling with an animal show as big as Ringling untenable - and it was when they took the elephants out of the show that people stopped buying tickets.

But where will the victory lead?

As Chipperfield points out, circuses have only ever been the thin end of the wedge. The animal rights movement is an ideology that wants to outlaw zoos, horse riding, pet ownership, meat eating, leather and even wool production. Peta is open about it, although no one seems to listen, or maybe care.

Perhaps one day, when it's their dogs and cats and Big Macs at stake, the world will remember that a lion tamer tried to warn them that it was about much more than circuses all along.

And that the elephants that disappeared from Ringling last year were really canaries in a coal mine.


For more on the issues of animals in the circus, read Circus Mania - The Ultimate Book for Anyone who Dreamed of Running Away With the Circus. 










Tuesday, 8 November 2016

Thomas Chipperfield debut on Moira Orfei Circus in Italy

Italian circus fans flock to see the white tigers

The trainer's costumes
before the show
Novaro, Italy, November 4. An hour before his first appearance with one of Europe’s most famous circuses, British trainer Thomas Chipperfield is polishing his boots before stepping into the ring with a new five-tiger act.

Click here for more.

And look out for more on Thomas in an exciting new updated edition of Circus Mania coming soon!

Wednesday, 15 June 2016

Tommy Chipperfield - Interview with a Tiger Trainer

Tommy Chipperfield in the 1980s






The name Chipperfield is synonymous with the circus. Tommy Chipperfield was born into the family show in the middle of the last century, when Chipperfield’s Circus was the largest in Europe with a huge menagerie of animals from chimps to giraffes. Following in his father’s footsteps, Tommy grew up to be a big cat trainer. As well as the UK, he has worked in Spain, Africa and Australia, where he met his wife, Marilyn. For 23 years, the couple appeared with Duffy’s Circus in Ireland before returning to England in 2013, with their son, Thomas Chipperfield, who is carrying on the family tradition as a lion and tiger trainer.

What are your earliest memories of the circus?

There’s a picture in one of the old programmes of the first time I got on a horse - a big spotted horse - with my father when I was 3-years-old.

But after that, I can always remember being asleep and in the middle of the night and being woken up by a little bear cub being pushed into bed with us. You never know what’s going to happen on a circus when you’re little.

I can remember looking out the caravan window and the ground would be overrun with public. There’d be thousands and thousands of people. We weren’t allowed to go out in case we’d get lost amongst all the people. We were too small. The parades on the Sunday at 3 o’clock, after the show was built up... the animals would come from the railway station. The elephants would walk through the town with the horses and the other animals. The public would follow and the circus site would just be full of people.

What was it like inside the big top?

There would have been about 17 rows of tiered seating with a gangway around the back, because in those days you’d walk up steps to get into the seats at from the back, on the top row. In front of the tiered seating there’d be a gap with the boxes in front of that - about two rows, sometimes three rows of chairs. In front of that there’d be a track for all the animal parades and such like.
Around 1953, they actually had chariot racing inside the tent. It was an 8-pole tent and the track went right around all the king poles.

When we were really young, we were allowed to see the performance once in the beginning of the year and that was it. It was very strict. The circus kids weren’t allowed to just run amok inside the tent. We had to behave ourselves, of course, and sit in the back of the seats.

The earliest I can remember going into the ring... in those days they used to have Popeye and Mickey Mouse... big  heads you used to put on and walk around waving to the people. We were allowed to do that sometimes, in between the acts. I would have probably been 5 or 6-years-old.

Did you always want to work with the animals?

I always wanted to work with the animals. My father made all of us kids learn hand balancing and tumbling, somersaults and things like that, just in case we needed it later on in life. You can always put something like that in an animal act as well. But I wasn’t brilliant at that, so it was the animals really, for me.

Was your father the animal manager?

Old Dickie Chipperfield used to run the show. He was the main one. There was Jimmy Chipperfield at the time, who opened the safari parks. He was organising a lot of the away stuff - looking for acts, things like that; a lot of the business side of it. My aunty Majorie used to take over all the costumes and decoration for the shows. And my father was the main animal trainer on the show. He loved horses. But he worked very good with the wild animals and also with the elephants. He was an all-rounder, and a trick rider as well.

What are your memories of Jimmy Chipperfield?

I wouldn’t really remember him on the show, because when he left and opened the parks, I was very young. But later on - we were always close; we always got on - what he wanted, he went for. There was no maybes. You just keep going until you get it.

What are your memories of Dickie Senior? 

Dickie Senior was more circusy. It was more give and take. My uncle Jim, he’d set his mind on something and he’d do it, whereas in the circus you give and take a lot more. I suppose uncle Dick was a bit like that. He was working with the animals a lot as well. He worked lions mostly. The old fashioned way which you wouldn’t do nowadays. Loud. I don’t mean beating them or anything like that, but a lot of whip-cracking and that sort of thing. Which is just noise, but these days people would get the wrong impression.

Did you use a calmer presentation?

I was sort of in between when I started out. Naturally, I was 16 and didn’t have a clue what I was doing; I was taught. But you have to learn from experience. So you have to keep your distance a bit more. Later on in life, I went the calmer route.

Tommy, Marilyn and Thomas Chipperfield
(Photo: Jane Hilton)
Thomas said you had a more self-effacing style in the ring than he does...

I’d be happy enough just to train animals and not have to go in the show. It’s the working with the animals that’s the important bit for me. Like I said to Thomas, when you’re taking your compliment, you’re showing the animals off, not yourself.

What we do in the ring is show off what the animals can do. I mean, you wouldn’t have a tiger balancing on a globe in the bush, but they’ll balance on a branch. Walking on their back legs... a tiger will stand up and fight on its back legs. A lion will sit up in the long grass to see over the top of the grass to see where their prey animals are.

Are you more of a lion or tiger guy?

Out of what we call the wild animals - lions, tigers, bears, leopards and such like - I think I like the tigers more. Thomas prefers the lions, but I like the tigers. The tigers to me seem more cat-like than lions. Lions are a bit more doggified. Tigers have got a mind of their own. It’s a bit more of a challenge, because you have to get them to like you. They’re more nervous than a lion would be. So you treat them different. Lions will play very rough together, so because they play like that, you can work them faster. They don’t mind. Tigers will play for about 30 seconds and then get a bad mood with each other. So you work them a lot steadier.

A lot of people ask which are the more dangerous. I think they’ve all got their own ways. It’s the way you treat them, really. You wouldn’t treat a tiger as you would a lion and vice versa.

What other animals have you worked with?

Oh god, I’ve lost count, really. It started in 1970, I think, with the elephants, then horses. Then in 71 it was the lions. Then I had a good break. I went to Roberts brothers Circus for a couple of years. Then I trained my first tigers. I then went to Australia and took over an act of an English fella out there. His contract ran out, so I took over his two acts and put a few more animals in and trained a few horses out there as well. And some pigeons. You lose count of the animals, really. Zebras, all sorts.

How many animal acts were in the circus in the heyday?

It was nearly all animals. Of course there were the speciality acts: the high wire, the flying trapeze. But we were known for the animals. When I was a kid, I can remember three wild animal acts that opened the show: The polar bears, the black bears, the tigers or leopards and the lions. The you’d have about three horse acts. probably high school or riding acts. Sea lions, chimps, alligators, dogs, exotics - camels, zebras - everything you can imagine.

Click here for an interview with Martin Lacey
on life in the big cat cage.
It must have been a huge job moving the circus?

What they used to do, before my time, was the advance crew would take through a set of king poles and one of the crane lorries, the big Macks. They’d put the king poles up ready, and the stakes in the ground, so when the circus arrived all they had to was roll out the canvas and put up the tent. So a lot of the work was already done.

Where did you go to school?

Boarding school. Marsh Court in Stockbridge, Hampshire.
I used to hate it. I mean, when you’re brought up on the circus with all the animals, who would want to leave? I remember crying and hanging onto one of the baby elephants once, when it was time to go to school.

What was the attitude to circus people, at school?

It wasn’t negative at all. You were somebody different, I suppose. In those days, circus was a big thing. You were somebody if you were circus. Now, it’s turning a bit the other way. I think in the old days it was because people put a bit of effort into schooling. You weren’t like what we call travellers. You were somebody. You had a good education.

Thomas did correspondence schooling. He did more schooling than I did at boarding school. My wife Marilyn taught Thomas and she said the correspondence course was a lot more than she ever did, actually going to school.

Is discipline and hard work instilled at an early age on the circus?

I think you have to be hard-working or otherwise you wouldn’t be able to make it work. One day you might have a full load of staff, the next day half of them could be gone - because to a lot of people it’s still just a job. So whoever’s gone, you have to take over and do it yourself. You can’t just stop because that person’s not there, or that light doesn’t get put up or that horse doesn’t get groomed. It has to be done.

When we came back from South Africa with the show, we were basically starting again over here. I said I’d do the grooming rather than hire staff in for that. So my father and myself did all the horses.

What did your brothers and sisters do on the show?

Charles was very mechanical minded. He liked the vehicles more than the animals. My brother John, he liked the animals and used to work the animals a lot, but he liked the business side of it more. He was very clever with the books. He was very good with office work. My little sister (Sophie) was very small then, so she was at school. And my other sister (Doris), when she came back from school, would help out with the horses as well. Sophie, when she grew up, was very into everything. Whatever was going, she’d have a go at.

Marilyn Chipperfield
How did Marilyn join the circus?

Marilyn actually ran away to join the circus. She went to Ashtons, in Australia, when she was 16. I think she might have been 15 but told them she was 16. She used to work in a shoe shop in Perth. So a bit different. I think the circus came to town and from then that was all she wanted to do. She’s done that many different acts. She’s done the high wire, the trapeze, the high perch where you balance it on someone’s shoulder and climb up. She’s done trick riding, bare-back riding, high school horses, ridden elephants. And of course since she’s been with me, she’s done the wild animals as well. So basically the lot.

In the old days they called people who came into the circus jossers, but there’s a josser and there’s someone who has been in it all their life and you would think of as an actual circus person, and that’s what she is. She’s a circus person.

Did Thomas show an early determination to follow in your footsteps?

Thomas always loved it. He was always out with me, helping me put the tent up. He was born in Winchester, but he was brought up in Ireland. He was always helping me with the animals.

I’d show him the tigers. Naturally not right up close. But I’d lift him up when he was very little and show him the tigers. They’d be roaring and carrying on and he’d just be laughing.

Click here for a review of Fortunes Wheel
- the story of Irish lion tamer
Bill Stephens
His first animals were the alligators. He was helping getting them in and out of the tank. The whole lorry was the tank for them. He’d be in there with his cousin Ben (Sophie’s son, Ben Coles) feeling about in the water for these little alligators. Well, six or seven-foot-long... little, you know! They get very quiet. They can bite, naturally. They’re alligators. But it’s the same with any animals. it’s how you handle them. They used to come and take food out of your hand in the end.

Thomas used to put his head in the alligator’s mouth. Once, being young, he got the wrong one out of the tank. My wife tried to tell him in the ring he had the wrong one, you can’t put your head in its mouth. He being young and a bit big headed didn’t take any notice, until he realised he had the wrong one and he had to put his head in the wrong alligator’s mouth - the one that wasn’t trained for it. He still did it!

How did you come to join Duffy’s circus?

They were very small at the time. We went over with more vehicles than they had at the time. We took the monkeys, the bears, the dogs. We had lions and tigers. I trained the horse act there for them. We had the alligators there. We were there about 23 years. Then we came back to fight the cause over here.

When did you hand reins to Thomas?

For one thing, people don’t want to see old, bald people in the ring. They want to see young fellas. So when it’s time to get out, you get out.

Thomas wasn’t just chucked in. He had to learn first. He did a long time looking after the animals, and a long time learning about the animals when they’re working. And when he was capable, I was actually in there with him, just in case he needed a bit of advice now and then. Then he took over himself. The lions he has now he trained completely himself, from the beginning. He thinks the world of the animals.

For more stories from the big top, read Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away with the Circus.





Tuesday, 20 October 2015

Amanda Holden bitten by lion tamer Thomas Chipperfield



Anyone old enough to remember Johnny Morris being dragged across the Blue Peter studio by a widdling baby elephant will know that animals and live television just don’t mix. So getting Tsavo the lion to kiss his trainer Thomas Chipperfield on This Morning was always going to be touch and go - and it was. As Britain’s last lion tamer puckered up, Tsavo let out a roar and leapt off his pedestal in the other direction.

The 25-year-old Chipperfield wasn’t fazed, however, and calmly told presenter Phillip Schofield that he liked working with big cats because “they’re not machines and can have off days just like the rest of us.”

Appearing in a live link from Swansea, where he’s appearing in An Evening With Lions and Tigers for the rest of this week, Chipperfield then went on to conduct his interview from inside the lion cage, without so much as a glance at the disgruntled lion, who first sat on a nearby pedestal then lay down broodingly on the grass in the background. All of which made Chipperfield look like the bravest man on British television.

So it was no wonder he didn’t take any nonsense from This Morning’s co-host Amanda Holden when she said his animals shouldn’t be kept in captivity. When Holden suggested he’d feel “claustrophobic” and “like a prisoner” if kept in a cage, the lion tamer coolly countered that animals perceive the world in a completely different way to what we do.

Amanda Holden as ringmistress in
BBC sitcom Big Top.
Then, when Holden talked about her work with the animal rights organisation Born Free, Chipperfield went on the offensive and accused her of “double standards” after working with trained animals on the TV show Wild At Heart.

A clearly ruffled Holden harrumphed that the animals she’d worked with were “rescue animals - rescued from people like you.”

But before Schofield could break up the spat between presenter and guest, Chipperfield pointed out that he knew the trainer who had trained them. (see update below)

This was thrilling television, and a reminder of why the crowds have been queuing to see Chipperfield’s show - because an entertainment that involves snarling wild beasts is completely unpredictable; anything can happen.

But full marks to Chipperfield for exposing the double standards of so many celebrities who are quick to partner with organisations like Born Free, PETA and Animal Defenders International in bashing the use of circus animals while many are happy to appear with trained animals on film and in TV shows. (see update below)

Sherlock Holmes star Martin Freeman, for example, recently called on the Prime Minister to ban animals from British circuses, despite appearing with horses in The Hobbit and trained dogs in Sherlock episode The Hounds of the Baskervilles.

Holden, meanwhile, also appears on Britain’s Got Talent, which frequently features performing animals. Earlier this year, she told contestant Marc Metral that he had “made television history” with his ‘talking dog’ Miss Wendy - a trick apparently achieved by fitting a false mouth over the animal’s snout, much to the ire of the RSPCA.

Holden’s BGT co-host Simon Cowell has previously dismissed claims that having animals on BGT is cruel, saying, “God no, I think the opposite! We show animals’ personalities. I think they all have a great time on our show, you can see the dogs are wagging their tails.”

Anyone who’s taken the time to visit An Evening With Lions and Tigers will know that that all Chipperfield does is showcase the natural ability and personalities of his big cats, and that they enjoy the organised play of the training routines as much as any animal on BGT.

Anyone who looks a little deeper, will also realise that circus animals and circus trainers are the first port of call whenever an animal is required for film and TV work.

Actors and television celebrities should know that better than anyone, so isn’t it about time they all stopped bashing the circus and embraced Britain’s last lion tamer as one of their own?

January 2016 update: The animals in Wild At Heart were trained by Alex Larenty, who grew up on Chipperfields Circus. For more on the double standards of actors including Brian Blessed, Alec Baldwin and Roger Moore, who have publicly condemned the circus while working with circus animals on stage and screen, click here to read my article in The Stage

January 2017: And in latest news, tiger tamer Thomas tackles former James Bond Roger Moore, the spy who once worked with circus tigers but now wants them banned. Read the full story here.

Douglas McPherson is the author of Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away With The Circus. Click here to read the reviews on Amazon.

Thursday, 15 October 2015

Crowds queue for Thomas Chipperfield's An Evening of Lions and Tigers in Swansea


Good to see the crowds queuing to see Britain's last lion trainer in An Evening of Lions and Tigers, in these photos from the South Wales Evening Post.


An Evening with Lions and Tigers is in Swansea, just off Junction 45 of the M4 until October 25. Box office: 07821 155513.


Monday, 28 September 2015

Why Sherlock's Dr Watson Martin Freeman is wrong about circus animals



Martin Freeman
No s***, Sherlock







Martin Freeman, who plays Dr Watson in TV’s Sherlock, is the latest celebrity to join forces with PETA in calling for a ban on circus animals. In a letter to prime minister David Cameron, he said, “I’d like to see my children grow up in a country where animals are treated with respect, not as objects of ridicule.” The actor, who is also known for his role as Bilbo Baggins in the Hobbit films added that “allowing circuses with wild animals to continue sends the message that it’s okay to dominate animals and ignore pain and suffering.”

As someone who was brought up to believe that the idea of performing animals was wrong, I can understand why Freeman might harbour that instinctive belief. But I have to wonder whether he has witnessed any “ridicule,” “pain” or “suffering” first hand. Because when I looked into the matter in great depth for my book, Circus Mania, I found myself forming a very different view of the unique relationship between trainer and animal and the benefits that watching such interaction can offer audiences and society as a whole.

I expect Sherlock Holmes would advise his sidekick to consider all the evidence before jumping to conclusions. So, for the benefit of Dr Watson, here are my reasons why I believe the show, with animals, should go on.

The Radford Report, commissioned by the last Labour government found no grounds for a ban. Although Labour wanted to introduce a ban, their six-month study, found only the inconvenient truth that circuses were as capable as other captive environments, such as zoos, of meeting the welfare needs of the animals in their care.

An earlier 18-month study by animal behavourist Dr Marthe Kiley-Worthington found circus animals suffer no stress during performance, training or transportation. Kiley-Worthington found circus training methods to be no harsher than those in riding stables, kennels or other animal husbandry environments, and noted that while farm animals find transportation stressful, circus animals quickly become acclimatised to it and enter their transport without concern. Her report, which was sponsored by the RSPCA and published as Animals in Circuses and Zoos: Chiron’s World? also pointed out ways in which the relationship between animals and trainers could contribute to our scientific understanding of how animals think, learn and perceive the world.

Historically, just 7 UK circus trainers have been prosecuted for cruelty in 130 years - a tiny minority of the trainers who worked blamelessly in that time, and a tiny number compared with the number of livestock farmers and pet owners brought before the courts. Malpractice exists in every profession, but the solution is to ban the bad practitioner, not the profession as a whole.

Regulation is better than prohibition, and since 2012, UK circuses with wild animals have been strictly regulated by a licensing scheme that sees them inspected by vets six times a year (twice unannounced) with the results available online. Every aspect of the animal’s life, diet and accommodation is governed by strict guidelines. There is little room left for wrongdoing, and should it occur, we have existing laws to deal with it.

Mr Freeman doesn’t want his children to see animals ridiculed, but that’s not my experience of what you’ll see in a circus ring. Typically, animals are encouraged - not forced - to display perfectly natural behaviour, such as jumping and rolling over.

The children I’ve seen at ringside were enthralled by the animals they saw, and witnessing their obvious skill and intelligence at close quarters can only foster respect for other species, just as it was largely the tricks performed by trained dolphins that convinced the public that they were intelligent and therefore worthy of conservation.

The animals that I’ve seen in the circus, meanwhile, showed every sign of enjoying the interaction with their trainers. Every cat, dog and horse owner knows their pet enjoys playing with humans, and it’s no different for a zebra, camel or lion. Training and performance are organised play, like throwing a stick for a dog or pulling string in front of a cat. To see how that works in practise, click here to watch Thomas Chipperfield’s video diary in which Britain’s last lion tamer demonstrates how he trained two young lions with patience and reward.

For some people, of course, the issue is simply that animals should be free. But we shouldn’t anthropomorphise and assume that a captive-bred animal is intellectually capable of sharing our concept of freedom - or assume that it is any worse off than its wild-born cousin.

Animals in the wild are endangered by predators (including human predators) and shrinking habitats. They live short, dangerous lives. Circus animals receive food, shelter and veterinary care, and as a result live twice as long. One of Thomas Chipperfield’s tigers, for example, is 18-years-old. In the wild she would have died long ago, either from wounds or disease, or from starvation when she reached an age where she could no longer fend for herself. In captivity, she enjoys a healthy and pampered old age.

Do I think she’s happy? Elementary, my dear Watson.

January 2016 update: for more on the double standards of actors including Brian Blessed and Roger Moore who have campaigned against the circus while working with circus animals on stage and screen, click here to read my article in The Stage.

Douglas McPherson is the author of Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away with the Circus (Peter Owen Publishers)

Saturday, 26 September 2015

Chipperfield lions pictures


Here are the latest pictures from An Evening With Lions and Tigers, courtesy of the South Wales Evening Post. View the complete gallery here.



The show, presented by Britain's last lion trainer Thomas Chipperfield, is in Neath, Wales, until October 4. For details of how to get involved in the show, click here.



Thursday, 24 September 2015

Crowd fund a circus lion

Buy a lion a new home at gofundme.com






Crowd funding has been a trend in the music business for a while now. Instead of needing a record company to cover the cost of making an album then recouping the investment through record sales, increasing numbers of independent artists are going direct to their fans, through websites such as Kickstarter and PledgeMusic, and asking them to donate small and large amounts of money to pay for the recording process in advance.

Thomas Chipperfield
wants to double the size of his big cat accomodation
Depending how much they pledge, fans are rewarded with various packages, from a signed copy of the album to things like an invitation to the launch party, having their name on the CD sleeve, or even a private concert in your living room!

A big part of the reward for donating, of course, is the sense of involvement and the satisfaction of helping an artist you believe in bring their music to the world.

But can you crowd fund a circus?

Anthony Beckwith, Thomas Chipperfield’s partner in An Evening With Lions And Tigers has set up a Go Fund Me page to raise capital for a new, enlarged living and exercise space for the show’s big cats for a planned tour of England next year.

The company, which is currently touring Wales, needs £15,000 to double the size of the indoor and outdoor accommodation currently shared by the show’s two lions and three tigers. The new outdoor space will be four times the size required by the DEFRA (Department of Environment, Food and Rural Affairs) licence that An Evening With Lions and Tigers needs to tour in England, and the indoor overnight accommodation will also be bigger.

Work on the new enclosures is under way
but your help is needed to complete the project 
It will also show Chipperfield’s commitment to providing the best possible care for his animals while his show itself is designed to educate the public about the humane ways in which big cats are trained for circus and film work.

According to Beckwith: “I've spent the last decade of my life working in British circuses, as I feel that they are the best medium through which to educate the public about wild animals. The bond between man and beast cannot be presented better than through live presentations.”

At a time when lions and tigers have disappeared from every other British circus, and only a few have even horses, dogs and exotics such as zebra and camels, Beckwith and Chipperfield are the only two showmen fighting back against the efforts of animal rights groups to force through Parliament a ban on all animals in the big top.

Cover stars
Thomas Chipperfield and Tsavo the lion
grace the Daily Telegraph
The Go Fund Me page offers a chance for fans of traditional circus to not just support Anthony and Thomas in their current fundraising project, but to demonstrate public support for a British tradition under threat. If you want lions in your circuses, you can literally put your money where your mouth is by pledging support here.

The anti-circus brigade have, after all, been asking the public for donations for years. Why shouldn’t circuses fight back with the same tactics?

So far, there is no suggestion of music business-style rewards for crowd funders. But maybe that’s something Beckwith should consider. How about a pair of free tickets and an “I bought a lion a new home" T-shirt for a minimum donation of say £25? And for those who wish to pledge £100 or £200, your name in the souvenir brochure, or engraved in a plaque on the side of the exercise enclosure? Maybe £1000 should get you a tiger cub named in your honour. And for anyone who stumps up the full £15,000, how about a personal appearance from Tsavo the lion in your own living roo... oh, er, well maybe not.

Apart from that, could crowd funding be the new way of supporting your favourite circus?

An Evening with Lions and Tigers is in Swansea (just off Junc 45 of the m4) October 12 to October 25. Bookings: 07821155513.

Douglas McPherson is the author Circus Mania, the Ultimate Book for Anyone Who Dreamed of Running Away With The Circus.

Tuesday, 21 July 2015

Are circus animals happy?


This one looks like he is. Thanks to Thomas Chipperfield's lion Tsavo for posing so beautifully in the sun.

See him for yourself in An Evening With Lions and Tigers in Neath, Wales from 24 Sept to 4 October.




Friday, 17 July 2015

Thomas Chipperfield's educational show confuses audience

Thomas Chipperfield puts up his big top
in Wrexham, Wales.





Thomas Chipperfield’s new show is designed to educate the public about conservation and the way animals are trained. But I think he needs to open the show with a lesson on understanding plain English.

A news report in The Daily Post contains some priceless comments from an audience member who said she was unaware the show featured animals and thought she was going to a circus.

“We saw the big top and were hoping to see clowns,” she said. “Before the show started people were saying I think this could be a animal circus. It was not what we were expecting to see.”

Wasn’t aware the show featured animals? Think it could be an animal circus??

People, the show’s called An Evening With Lions and Tigers - what would you expect it to feature?

Perhaps Thomas should get his posters reprinted in Welsh.

All set up and ready for showtime!
An Evening With Lions and Tigers will be in Bridgend, Laleston, Wales, October 8 until - October 18. Box office: 07821155513

SPOILER ALERT: The show contains lions and tigers. But no clowns. Unless they've bought a ticket.

Showtime!

Friday, 3 July 2015

Thomas Chipperfield's Victorian lion show!

Thomas and Anthony. Maybe.

Animal Defenders International have called Thomas Chipperfield's new show, An Evening With Lions and Tigers, "Victorian." But, hey, wouldn't that actually be a great idea - to dress the show with a Victorian theme? Top hats, twiddly moustaches, barrel organ, ladies in big dresses selling the tickets... "Roll up, roll up...!"

Thomas could be a steam-punk hipster! If that wouldn't get a grant from the Arts Council, nothing would!

Read the full details of An Evening With Lions and Tigers - with not a twiddly moustache in sight - here, on Blasting News. And catch the show in Neath until October 4.

(Note to Thomas. Above costumes just £22 on ebay. Just saying.)

Thomas Chipperfield's An Evening of Lions and Tigers in Bargoed, Wales!

Tigers!
Lions!
The big top.

Showtime!


Thomas Chipperfield, the UK's only lion trainer is promising to put the emphasis on education and conservation in a new show, An Evening with Lions and Tigers. Read more at Blasting News.

The show is in Bargoed, Wales from October 29 to November 8. Tel: 07821155513.

Save £3 off the price of an adult ticket with this voucher:






Friday, 1 May 2015

Edinburgh Fringe Gets Circus Hub But I’d Rather See Some Lions

Zippos star Norman Barrett OBE and his budgies





Circus is in fashion. A certain type of circus, anyway. Two years ago, Britain’s leading circus school attained ‘national’ status when it became the National Centre for Circus Arts. This year, the Edinburgh Fringe will get a £600,000 dedicated Circus Hub that will bring twelve contemporary circus shows to the Scottish city from as far afield as Canada, Australia and the Czech Republic.

According to Ed Bartlam of promoters Underbelly, “We want to create a real focal hub for the very broad genre that is circus and in that present a really high-quality programme of different styles.”

So it was sad to see Bartlam’s co-director Charlie Wood sweepingly dismissing the biggest part of circus’ ‘broad genre,’ and a part that represents nearly 250 years of circus history, in an interview with The Guardian.

“Circus is not necessarily cliched, hack, silly stuff in a big tent,” said Wood. “We’ve tried to get away from the old understanding of what circus is – nasty big tops and animals and hack clowns and so on. Circus can mean something, it can have a narrative, it can be theatrical and it can have fantastic skills in it.”

During the research for my book Circus Mania, I experienced what is indeed the ‘broad genre’ of circus, from the big budget spectacle of Cirque du Soleil to the blood-splattered Circus of Horrors and small scale companies such as Australia's Circa which is more typical of the type of circus found of the festival circuit (you can see Circa at the Norfolk and Norwich Festival later this month).

There’s no doubt that modern circus can be good. Of the acts appearing at the Circus Hub, Canada’s Cirque Alfonse wowed London in 2013 with the hugely accessible and enjoyable lumberjack circus, Timber! (Click here to read about it)

But, sad to say, much ‘narrative’ and ‘theatrical’ contemporary circus has left me yawning. In trying to “mean something,’ it has frequently lost circus’ most vital element, it’s sense of fun.

The magic of the big top
It was my visits to the sort of traditional big top-in-a-field circuses that Wood decries that made my heart beat faster, brought my senses most fully alive and imprinted me with memories that I’ll never forget. Sitting ringside at the now defunct Great British Circus, with grass underfoot and the smell of hotdogs and horses in the air, I marvelled at the immensity of elephants, swishing their trunks about to sniff the scent of the popcorn machine, so close that I leaned back in my seat. The skill and artistry of the tiger trainer was as compelling as that of the acrobats on the static trapeze.

At the still very much extant Circus Mondao, which is run by a family that has been in the circus 200 years, I was transported to a magical plane by the sight of plumed spotted horses cantering through the atmospherically lit sawdust; and reduced to helpless laughter by a soaking wet clown sliding the full diameter of the ring on his belly in a tsunami of spilt water.

Animals and genuinely funny traditional clowns are things contemporary circus would rather forget, but in turning its back on them, in the way Wood does so crassly, it loses its soul and, I would dare to say, a lot of its pulling power. For it’s the traditional circuses that have always existed on box office takings alone while most new circus relies on sponsorship and public funding.

Tsavo, a Chipperfield lion
Last year, only one circus, the deeply traditional Peter Jolly’s, fielded an act I was prepared to drive half way across the country to see: Thomas Chipperfield presenting the last lions and tigers we may ever see in a British big top. No contemporary circus show would have tempted me to travel a fraction of that distance.

The big cats were a roaring success, but predictably attracted roars of disapproval from animal rights protesters. With a long-promised ban on wild animals in the circus looming over our big tops, it seems even traditional circuses would rather go quietly into the night than rage against the dying of the circus lights.

This year, no UK circus has big cats or elephants and the biggest part of circus’ appeal, for me, seems to have left the big top with them.

Zippos, arguably Britain's most popular circus, continues to use its ring for the purpose for which it was designed - the display of horses - and long may they continue to do so. They also have ringmaster Norman Barrett OBE's performing budgies. It was a shame to see the Guardian's article on the Circus Hub take a swipe at them, too: "Circus in 2015 is far removed from memories of doleful clowns squirting water from a flower, sequinned trapeze acts, and Norman Barrett and his performing budgerigars. It’s more physical, edgy and sexy,"  writes Mark Brown.

I'd rather see some lions. But given the choice between Barrett's budgies and one of the 'circus' shows on the Hub's programme, which is thrillingly billed as "A poetic search for inner peace and the liberation of prejudice," I'll take the the budgies.

Read my backstage and ringside journey through the rich and diverse world of circus, talking to showmen, clowns, trapeze artists, sword-swallowers and tiger trainers in Circus Mania - The Ultimate Book For Anyone Who Dreamed of Running Away With The Circus.
Click here to read the 5-star reviews on Amazon.

Thursday, 30 April 2015

Big cats cancelled!







































If there was one show in Scotland worth seeing this week, it would have been Thomas Chipperfield's An Evening with Lions and Tigers at. Crimond Airfield, Fraserburgh. Unfortunately, the show has been cancelled - or rather, counciled - due to licensing issues. Hopefully new dates and venues will be announced soon.

UPDATE

For a sneak preview of the Thomas Chipperfield big cats, click here. And read my interview with Britain's last lion trainer in the Daily Telegraph here.

Tuesday, 10 February 2015

Thomas Chipperfield - Why lions attack their trainers

King of the Cage
Thomas Chipperfield and Tsavo the lion

Following the news that trainer Faten El-Helw was attacked by a lion during a performance in Egypt (click here to read all about it), British big cat trainer Thomas Chipperfield has written an article in the Daily Telegraph online explaining why the animal behaved as it did. Read his article here.

Oh, and after reading the mane article do paws for a scroll down the 100+ comments where the refreshingly light-hearted tone includes plenty of puns and jokes, ie:

"Why do lions attack their trainers? Because they don't like any kind of shoes!"

Tuesday, 11 November 2014

Thomas Chipperfield in The Times: "If they ban circus lions, pet cats will be next."









Why is most press coverage of traditional circuses dominated by the views of animal rights organisations, with usually just an apologetic comment by the circus tagged on for the sake of 'balance'?

The simple reason is that animal rights groups bombard the papers with press releases setting out their side of the story, so their protest becomes the story.

Sadly, the circus industry seems to have lost the ability to take the initiative and generate positive stories.

The good news is that one man, Thomas Chipperfield, seems determined to reverse the trend, as evidenced by an outspoken opinion piece in today's issue of The Times.

Prominently situated in a spot normally occupied by foreign prime ministers, economists, church leaders and other political heavyweights, Britain's last lion trainer highlights the difference between animal welfare and animal rights. He spotlights the real issues in the debate over wild animals in the circus and defends calls for a ban on both welfare and ethical grounds.

The headline is If they ban circus lions, pet cats will be next.

Read all about it in today's Times and online here.

Friday, 7 November 2014

Thomas Chipperfield big cats in Scotland

The Lions in Winter
Thomas Chipperfield and big cats
in Scotland







On the day Jim Fitzpatrick brought his Wild Animals in Circuses bill back to the Commons for a third attempt to hasten a ban, it's a shame to see the Daily Mirror latching on to a non-story of claims by animal rights campaigners Born Free that Britain's last circus big cats are suffering in their winter home.

"Prodded with sticks and caged in Misery" screams the online headline. The accompanying picture (above), meanwhile, shows Britain's last big cat trainer Thomas Chipperfield not "prodding" a lion but feeding a healthy and contented-looking animal with a titbit on the end of a stick - which, as anyone who has ever seen a circus will know, is how you reward them during training and performance.

The story centres on the fact that Chipperfield and his animals are wintering on a "desolate" farm in Scotland.

Anna Wade of Born Free apparently went along "undercover." This wouldn't have been hard. The simple fact is that news Chipperfield was staying at the farm - known at the Circus High School - spread like wildfire around the local area. Hundreds of people began turning up to take a look at the big cats and Chipperfield has a policy of simply letting in anyone anyone who comes along.

Crowds view the big cats at their
winter quarters
When I spoke to him on the phone recently, he said this was because he had nothing to hide and if people are curious about his animals he's happy to spend time showing them around and answering their questions.

The Mirror reported that the animals' living conditions had been approved by the local authority. But it's a shame they didn't go along to see for themselves and perhaps write a more positive piece about a young man trying to keep alive a vanishing tradition while opening the doors on his profession to show that nothing is amiss behind the scenes.

Anna Ward was obviously shocked by what she found, but then I doubt if she would enjoy seeing animals in a circus or zoo. She and Born Free are, of course, entitled to their opinion but the danger with this kind of reporting is that opinion can very easily be perceived by readers as fact, when it is just one view. Other views are available, but in this instance don't seem to have been sought or given.

For more on the agenda of animal rights organisations, click here.

Everyone else who went along seems to have enjoyed a chance to see - free of charge, (although donations are welcome, and why not, since big cats are expensive to keep) - some well-cared for lions and tigers.

Although the story was obviously broken in an attempt to support Jim Fitzpatrick's proposed ban, it failed to stop a second reading of his bill being blocked once again. Fitzpatrick will bring the issue before the Commons again on November 21. For more on the story, click here.

Click here to read my interview with Thomas Chipperfield in The Daily Telegraph.