LADIES AND GENTLEMEN, BOYS AND GIRLS... welcome to the big top blog of Douglas McPherson, author of CIRCUS MANIA, the book described by Gerry Cottle as "A passionate and up-to-date look at the circus and its people."
Showing posts with label Nell Gifford. Show all posts
Showing posts with label Nell Gifford. Show all posts

Friday, 15 December 2023

Who will fill their circus shoes? RIP Phillip Gandey, John Haze, Gerry Cottle and Nell Gifford


It was a shock this week to hear of the death of Phillip Gandey (pictured above with the cast of Gandeys Circus) at the tragically young age of 67.

When I interviewed Gandey for The Stage in 2020, he was a man full of life. Having just reopened three big tops in Butlins holiday centres, after lockdown restrictions were lifted, his one regret was that he didn't have his usual "five or six" shows simultaneously running in locations from the Edinburgh Festival to the Far and Middle East.

Gandey was born into the circus world. A clown aged three, and a knife-thrower at 11, he inherited his father's circus and became the world's youngest circus director at 17.

With his wife, Carol, he established Gandey World Class Productions as the UK's premier exporter of circus shows. When Gandeys Circus stopped using animals in the early 1990s, Gandey became one of the industry's great innovators, seeking fresh ideas to fill the gap left by big cats and elephants.

He brought a Chinese troupe of acrobats to the UK and created the Chinese State Circus, which became one of the country's most successful touring shows. He also created the cabaret-style Lady Boys of Bangkok, Cirque Surreal, Spirit of the Horse and the fundraising Circus Starr (which you can read about here).

One of his newest creations, the circus-on-ice show Snow Storm 3 is currently delighting audiences at the Trafford Centre in Manchester. His Great Circus of Europe, meanwhile, has toured Hong Kong, Singapore, and is currently in the Arab Emirates.

Gandey's passing leaves a huge hole in the circus world, and follows the loss of another great British showman, John Haze, who died in April this year at almost exactly the same young age.

Haze, like Gandey, was both artistic director and businessman, creating the long-running success story the Circus of Horrors and currently the UK's biggest big top show, Circus Extreme (read my review here).

Sadly, it was only a couple of years ago that both Haze and Gandey were paying tribute to another great showman, and a collaborator with both of them, Gerry Cottle, probably the best-known name in UK circus since the 1970s, who died in January 2021, aged 75.

Circus Mania author Douglas McPherson
with Gerry Cottle (left) and John Haze.

It was not long before that, that the circus world was shocked by the loss to cancer of Nell Gifford, aged just 46. (Read her story here)

Nell Gifford

In the space of four years, Britain has lost four of the most important circus impresarios of modern times. Each was an innovator and energiser, breathing new life into a world of big top and circus ring that was created in London by Philip Astley more than 250 years ago

They formed a generation of circus-producing talent fit to be remembered alongside their predecessors in earlier eras: Billy Smart, the Chipperfields, Bertram MillsLord Sanger and Astley himself. 

Like four king poles, Gandey, Haze, Cottle and Gifford lifted the tent of British circus high. But with their departure, the big top will not fall.

Although all four were driving forces and figureheads, they were not one-person companies. Each left behind a creative team and/or family members to carry on their legacy. Giffords Circus, the Circus of Horrors and Circus Extreme continue to tour without their creators and the many shows of Phillip Gandey will doubtless do likewise, capably overseen by Carol Gandey and their daughters.

We still have another of our greatest showmen, Martin 'Zippo' Burton, whose twin shows in Hyde Park's Winter Wonderland this Christmas reveal the Zippos brand to be at the top of its game.

And a new generation of circus blood is rising, inspired by the generation that came before. People like Tracy Jones who ran away with the circus when she was 15 and learned her craft having knives thrown at her by Phillip Gandey himself. Jones travelled the world with Gandeys Circus, an apprenticeship that stood her in good stead to start her own show, Circus Funtasia, which is this year celebrating its 10th anniversary.

Also on the ascent are Paul and Irina Archer who spent many years working with Haze in behind-the-scenes roles on the Moscow State Circus and Circus Extreme before launching their own colourful and contemporary-styled big top show Circus Cortex two years ago. The show is currently starring at the indoor Kingdom of Winter attraction at ExCel London

Around the country, Planet Circus, Circus Zyair and Big Kid Circus are providing top drawer circus entertainment to big audiences in what feels like a thriving scene.

It's easy to see the passing of giants like Phillip Gandey, Haze, Cottle and Gifford as the end of an era. But in the circus, there are no ends. The show will always go on. And as much as they will be missed, I'm sure that Gandey, Haze, Cottle and Gifford would want it no other way.















 

Wednesday, 27 August 2014

Giffords Circus HQ for sale

The lounge of circus boss Nell Gifford





Would you like to buy the home of a circus proprietor?

Folly Farm, the HQ of Giffords Circus is on the market for £1.5 million.

In my recent review of Gifford’s Circus - The First Ten Years (read it here) I described how Nell Gifford and husband Toti built their Gloucestershire home on the site of a derelict garden centre.

Today, their two bedroom house comes with an attached practise barn where they created their shows, and 11 acres of paddocks that are home to their circus horses.

“After 14 years we have finally outgrown our home at Folly Farm and are moving our entire HQ to just outside Stroud,” says Nell.

Giffords Circus practise barn
The property is on the market with Butler Sherborn estate agents.

Thursday, 21 August 2014

GIFFORDS CIRCUS - The First Ten Years Book Review








In October 1999, Nell Gifford was invited to give a talk at the Hay-on-Wye Literary Festival the following May. She suggested that they book her circus and gave them a glowing description: "There will be showgirls and a dancing horse and a motorbike and a raucous atmosphere, lit by gaslight!"

The director booked the show. The problem was, Gifford didn’t have a show. Or wagons. Or costumes. Or artists. Or capital.

Building a circus from scratch in time for Hay-on-Wye took its toll on Nell and her landscape gardener husband, Toti. They ran up a £100,000 debt, had to move out of their rented cottage and slept on the floor of a pub where the landlord gave them free food.

Two engagements on the way to Hay did not improve their financial situation. They couldn’t give tickets away. Their vehicles fell apart on the roadside.

But they dragged their convoy, broke and broken, to the festival to find their three-day stand was sold out. The audience and critics loved them, and a new darling of the circus world was born.

The circus is full of wonderful stories - of magical moments plucked from disaster - and Gifford’s is one of them.

Her previous book, Josser, describes how she ran away with a circus to escape her pain after her mother was brain-damaged in a fall from a horse. Her apprenticeship mucking out horses and elephants on Santus Circus in the 90s was far from glamorous. It was, in her words, “a hard and negative world and a bad time for circus.” But she had seen the flipside of how circus could be presented and appreciated in America’s Circus Flora and Germany’s Roncalli, and she wanted to rebuild the dream world of the big top in her homeland.

Nell Gifford riding high
Giffords Circus - The First Ten Years, relates how she and Toti took the next step to create a circus of their own. Their work ethic is exhausting to read about. The side story of how they transformed a derelict garden centre into their home and winter base - a linked house and practise barn that symbolises how closely their lives and art are entwined - is a tale of hard work and determination in its own right. It’s even more amazing that they did it between trips to Moscow and Hungary in search of performers, and rehearsals in which nobody shared a language.

This beautifully illustrated book delves deeply into both the artistic and practical sides of running a circus.

Inspired by a chanced-upon drawing of a ballerina standing on horseback, Gifford sought out a ballerina and horse to create an act she describes as “A step forward to defining who we were.”
When a rare excursion from Gloucestershire to inner-city Hoxton Square was nearly thwarted in its final yards by a gate too narrow for their vintage wagons into the square, Toti pulled the gatepost from the concrete with his bare hands.

In a circus world fragmented into fifty shades of ‘new’ and ‘traditional,’ Giffords Circus, with its vintage look, tiny tent, horses, dogs and gentrified audience, occupies a niche of one. Gifford traces her artistic vision to memories of a bohemian middle class childhood, before her mother’s accident, where special occasions were always celebrated on a grand scale but everything had to be homemade. Endless food and endless guests. Dressing up. Handmade decorations. Singing. Games.

A visitor described their first show as “Edwardian children playing at circus,” and Gifford took it as a compliment.

Giffords’ style has been dubbed ‘heritage circus.’ But it’s not just circus they’re preserving - it’s a slice of middle England. A rural middle class mindset of country pubs, village greens, fetes, gymkhanas and do-it-yourself fun. “An English world where the pony is childhood.”

It’s no wonder Giffords Circus wowed the patrons of the Hay-on-Wye Festival - bohemian thinkers who would be out of place in the gritty working class environs of Peter Jolly’s Circus (Britain’s last with lions and tigers, and a picket line of animal rights protestors to match) and who probably wouldn’t be totally comfortable with the slick metropolitan aesthetic of Cirque du Soleil either.

It’s funny. When I was writing my own book, Circus Mania, I often found myself comparing audiences as much as shows: different circuses for different classes. On one hand, the appeal of the circus transcends class. But, in England at least, it doesn’t unite the classes. Perhaps in England, it never could. We like to pretend we’re a classless society, but the tribes of class are as rigidly separatist as ever, and nowhere is that more apparent than in a journey through our circus tents. Giffords Circus thrives in the shires where it’s audience shares the same childhood memory of what a circus should be.

Giffords Circus - The First Ten years by Nell Gifford (The History Press)

Giffords Circus barn - one careful owner
For Sale
If you'd like to buy the perfect house to run a circus from, Giffords Circus HQ, Folly Farm has gone on the market for £1.5m. Click here for more.

Wednesday, 23 July 2014

Giffords Circus - The First Ten Years book review







In October 1999, Nell Gifford - the author of Josser - was invited to give a talk at the Hay-on-Wye Literary Festival the following May. She suggested that they book her circus and gave them a glowing description: "There will be showgirls and a dancing horse and a motorbike and a raucous atmosphere, lit by gaslight!"

The director booked the show. The only problem was, Gifford didn't have a show. Her new book, Giffords Circus - The First Ten Years tells how the former circus runaway created her circus in time for the Festival and built it up over the next decade into one of the UK's most popular.

It's a beautiful looking book, full of great photos, and I'm looking forward to reading it.

FULL REVIEW COMING SOON!

In the meantime, click here for Giffords Circus latest tour dates.




Saturday, 21 May 2011

CIRCUS GIRL NELL GIFFORD IN PICTURE OF THE YEAR



If there were an award for the best circus photograph of the year it would definitely go to this shot of Nell Gifford sitting side-saddle on a rearing horse in the May 21 edition of the Daily Telegraph. Circus has never looked more cool!

Take a look at this fantastic shot and Patricia Carswell’s excellent feature on Gifford’s Circus production of War and Peace at the Hay Literary Festival by clicking here.

My thanks, too, to Patricia for quoting me and mentioning Circus Mania! within the piece.

"Circus Mania is a brilliant
account of a vanishing
art form."
- Mail on Sunday
If the magic of Gifford’s Circus fires your imagination, check out Circus Mania! to discover the reality of life, death and danger that faces those who run away with the circus. Buy it on Amazon or direct from Peter Owen Publishers at the special price of £10 postage-free (a saving of £5 off the recommended retail price).
Send cheques to:
Peter Owen Publishers
81 Ridge Road
London N8 9NP

Or click here to buy Circus Mania from Amazon.
And may all your days be circus days!