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| Circus Space Once a derelict power station, now the new National Centre for Circus Arts |
For years, circus has existed on the fringe of British entertainment, much less culture. The very word 'circus' is often used as a derogatory term: media circus, for example.
But this week the world of acrobats and funambulists will attain a new level of respectability as culture minister Ed Vaizey announces the government’s decision to elevate Circus Space, London’s leading circus school, to a new status - the National Centre for Circus Arts.
National Centre for Circus Arts represents a major step up for the profile of circus in the UK, and also recognises the increasing use of circus skills in mainstream theatre productions and other spheres of entertainment.
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| Flying high the new National Centre for Circus Arts |
Theatre director Stephen ’Billy Elliot’ Daldry, who collaborated with Circus Space for his staging of the London 2012 Olympics ceremonies described the new national status as "a great validation," while Jane Rice-Bowen, joint chief executive of the National Centre said: "This word 'national' will help people to realise that circus is something special. Our vision is a culture of circus in the UK. So, when mum sees little Tommy climbing up the curtains or doing something terrifying on the climbing-frame, she doesn't go, 'Oh my God, you're going to kill yourself, get down'. She’ll say, 'that kid could be the next great circus artist'."
Founded 25 years ago by a group of performers looking for a space to train and teach, Circus Space grew from the ash and pigeon feathers of an abandoned Victorian power station to become Britain's only training facility to offer a BA Hons degree in Circus Arts.
But, hey, perhaps the circus ain’t quite ready to vanish just yet.
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| Gerry Cottle (l) and Dr Haze from the Circus of Horrors help author Douglas McPherson launch Circus Mania at what was then Circus Space and is now the National Centre for Circus Arts |
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